<?xml version="1.0" encoding="utf-8"?>
<journal>
<title>Journal of Islamic Crafts</title>
<title_fa>هنرهای صناعی اسلامی</title_fa>
<short_title>JIC</short_title>
<subject>Art &amp; Architecture</subject>
<web_url>http://jih-tabriziau.ir</web_url>
<journal_hbi_system_id>1</journal_hbi_system_id>
<journal_hbi_system_user>admin</journal_hbi_system_user>
<journal_id_issn>2588-316x</journal_id_issn>
<journal_id_issn_online>2588-3178</journal_id_issn_online>
<journal_id_pii></journal_id_pii>
<journal_id_doi>10.61882/jic</journal_id_doi>
<journal_id_iranmedex></journal_id_iranmedex>
<journal_id_magiran></journal_id_magiran>
<journal_id_sid></journal_id_sid>
<journal_id_nlai></journal_id_nlai>
<journal_id_science></journal_id_science>
<language>fa</language>
<pubdate>
	<type>jalali</type>
	<year>1400</year>
	<month>9</month>
	<day>1</day>
</pubdate>
<pubdate>
	<type>gregorian</type>
	<year>2021</year>
	<month>12</month>
	<day>1</day>
</pubdate>
<volume>5</volume>
<number>2</number>
<publish_type>online</publish_type>
<publish_edition>1</publish_edition>
<article_type>fulltext</article_type>
<articleset>
	<article>


	<language>fa</language>
	<article_id_doi></article_id_doi>
	<title_fa>کالا شدگی به مثابه خشونت علیه هنر  (مطالعه موردی: تابلو فرش)</title_fa>
	<title>Commodification as a violence against art  (case study: pictorial carpets)</title>
	<subject_fa>مبانی نظری هنر اسلامی</subject_fa>
	<subject>2</subject>
	<content_type_fa>پژوهشي</content_type_fa>
	<content_type>Original Research</content_type>
	<abstract_fa>نادیده گرفتن ارزش و جایگاه اثر هنری و تقلیل ارزش آن صرفاً به عامل انتقال هنجارها و ارزش&amp;shy;های جامعه به عنوان یک کانال جامعه&amp;shy; پذیری افراد، به منزله خشونت علیه هنر بوده و به مرور زمان باعث از بین رفتن اثر هنری و تبدیل آن به یک کالا می&amp;shy;شود. هدف اصلی این تحقیق مطالعه مصادیق خشونت علیه هنر و پیامدهای آن است؛ در خشونت علیه هنر بحث کالایی شدن و استفاده ابزاری از هنر یا بحث سیطره بعد مادی هنر بر بعد معنوی آن قابل شناسایی است. در این پژوهش ضمن مطالعه موضوع خشونت علیه هنر، به مطالعه آسیب&amp;shy;های ناشی از آن در زمینه کالای هنری تابلو فرش پرداخته شده است. نگارندگان در این پژوهش در پی پاسخ دهی به این سوالات هستند که چه مواردی را می &amp;shy;توان خشونت علیه هنر تلقی کرد؟ آیا در مورد تابلو فرش می&amp;shy; توان ثابت کرد که خشونت علیه آن اتفاق می&amp;shy; افتد؟ یافته&amp;shy; های تحقیق نشان می&amp;shy; دهد در عصر حاضر خشونت علیه هنر در عرصه&amp;shy; های مختلف رخ داده است. هنر برای لذت بردن و ارزش معنوی آن همواره مد نظر بوده و هنر برای هنر در طول سالیان مورد توجه واقع شده ولی امروزه در اثر برخورد مادی با آن ارزش هنر نادیده انگاشته شده و به نوعی مورد خشونت واقع شده است. ست کردن تابلو فرش&amp;shy;ها با سایر لوازم منزل و داشتن دید سرمایه &amp;shy;ای به آن و کالایی شدن آن از مصادیق خشونت علیه هنر است که منجر به تحولات معنادار در حوزه مصرف تابلو فرش شده است. به مرور بعد هنری در زمینه تابلو فرش کمرنگ شده و تقدم کالاشدگی بر جنبه فرهنگی تابلو فرش دیده می&amp;shy; شود. &lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;</abstract_fa>
	<abstract>This article examines violence against art. Nowadays in many cases, the artwork is used as a commodity without considering its artistic value. Ignoring the value of the artwork in anyway constitutes violence against art and over time, causes the artwork to disappear and become a commodity. The main purpose of this study is to study examples of violence against art and its consequences; In this research, we are trying to introduce a new category in the field of art by raising this issue; violence against art means that art is not for art, the discussion of violence against art can be a new topic in relation to art. In violence against art, the discussion of the commodification and instrumental use of art or the dominance of the material dimension of art over its spiritual dimension can be identified. In this article, violence against art in the field of pictorial carpets is studied in a specialized way and resulting damages in the field of pictorial carpets are examined. The results of research show that coordinating pictorial carpets with other home appliances and having a capital view on it and its commodification are examples of violence against art. The main discussion in these results is the discussion of significant developments in the field of pictorial carpets consumption. Over time, the artistic dimension in the field of pictorial carpets has diminished and the precedence of commodification over the cultural aspects of pictorial carpets can be seen.&amp;nbsp;This article examines violence against art. Nowadays in many cases, the artwork is used as a commodity without considering its artistic value. Ignoring the value of the artwork in anyway constitutes violence against art and over time, causes the artwork to disappear and become a commodity. The main purpose of this study is to study examples of violence against art and its consequences; In this research, we are trying to introduce a new category in the field of art by raising this issue; violence against art means that art is not for art, the discussion of violence against art can be a new topic in relation to art. In violence against art, the discussion of the commodification and instrumental use of art or the dominance of the material dimension of art over its spiritual dimension can be identified. In this article, violence against art in the field of pictorial carpets is studied in a specialized way and resulting damages in the field of pictorial carpets are examined. The results of research show that coordinating pictorial carpets with other home appliances and having a capital view on it and its commodification are examples of violence against art. The main discussion in these results is the discussion of significant developments in the field of pictorial carpets consumption. Over time, the artistic dimension in the field of pictorial carpets has diminished and the precedence of commodification over the cultural aspects of pictorial carpets can be seen.&amp;nbsp;. The results of research show that coordinating pictorial carpets with other home appliances and having a capital view on it and its commodification are examples of violence against art. The main discussion in these results is the discussion of significant developments in the field of pictorial carpets consumption. Over time, the artistic dimension in the field of pictorial carpets has diminished and the precedence of commodification over the cultural aspects of pictorial carpets can be seen.&lt;br&gt;
&amp;nbsp;</abstract>
	<keyword_fa>تابلو فرش, خشونت علیه هنر, کالایی شدن, ست کردن, مرگ اثر هنری,</keyword_fa>
	<keyword>pictorial carpets, violence against art, commodification, coordination, death of artwork,</keyword>
	<start_page>2</start_page>
	<end_page>0</end_page>
	<web_url>http://jih-tabriziau.ir/browse.php?a_code=A-10-185-1&amp;slc_lang=fa&amp;sid=1</web_url>


<author_list>
	<author>
	<first_name>Laleh</first_name>
	<middle_name></middle_name>
	<last_name>Ahani</last_name>
	<suffix></suffix>
	<first_name_fa>لاله</first_name_fa>
	<middle_name_fa></middle_name_fa>
	<last_name_fa>آهنی</last_name_fa>
	<suffix_fa></suffix_fa>
	<email>l.ahani@tabriziau.ac.ir</email>
	<code>10031947532846001767</code>
	<orcid>10031947532846001767</orcid>
	<coreauthor>No</coreauthor>
	<affiliation>Tabriz Islamic Art University</affiliation>
	<affiliation_fa>دانشگاه هنر اسلامی تبریز</affiliation_fa>
	 </author>


	<author>
	<first_name>Shahryar</first_name>
	<middle_name></middle_name>
	<last_name>Shokrpour</last_name>
	<suffix></suffix>
	<first_name_fa>شهریار</first_name_fa>
	<middle_name_fa></middle_name_fa>
	<last_name_fa>شکرپور</last_name_fa>
	<suffix_fa></suffix_fa>
	<email>sh.shokrpour@tabriziau.ac.ir</email>
	<code>10031947532846001768</code>
	<orcid>10031947532846001768</orcid>
	<coreauthor>Yes
</coreauthor>
	<affiliation>Tabriz Islamic Art University</affiliation>
	<affiliation_fa>دانشگاه هنر اسلامی تبریز</affiliation_fa>
	 </author>


	<author>
	<first_name>Mohammad</first_name>
	<middle_name></middle_name>
	<last_name>Abbaszadeh</last_name>
	<suffix></suffix>
	<first_name_fa>محمد</first_name_fa>
	<middle_name_fa></middle_name_fa>
	<last_name_fa>عباس زاده</last_name_fa>
	<suffix_fa></suffix_fa>
	<email>m-abbaszadeh@tabrizu.ac.ir</email>
	<code>10031947532846001769</code>
	<orcid>10031947532846001769</orcid>
	<coreauthor>No</coreauthor>
	<affiliation>University of Tabriz</affiliation>
	<affiliation_fa>دانشگاه تبریز</affiliation_fa>
	 </author>


	<author>
	<first_name>Mehdi</first_name>
	<middle_name></middle_name>
	<last_name>Keshavarz Afshar</last_name>
	<suffix></suffix>
	<first_name_fa>مهدی</first_name_fa>
	<middle_name_fa></middle_name_fa>
	<last_name_fa>کشاورز افشار</last_name_fa>
	<suffix_fa></suffix_fa>
	<email>m.afshar@modares.ac.ir</email>
	<code>10031947532846001770</code>
	<orcid>10031947532846001770</orcid>
	<coreauthor>No</coreauthor>
	<affiliation>Tarbiat Modares University</affiliation>
	<affiliation_fa>دانشگاه تربیت مدرس</affiliation_fa>
	 </author>


</author_list>


	</article>
</articleset>
</journal>
