دوره 6، شماره 1 - ( دوفصلنامه 1401 )
جلد 6 شماره 1 صفحات 70-57 |
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Rafiei Rad R, Mohamadzade M. (2022). Codification of the theory of fraction deduction, extracted from the life of Ibrahim (AS) in the Qur'an and explanation of its use and place in Islamic art, with the approach of data theory. JIC. 6(1), 57-70. doi:10.52547/jic.6.1.57
URL: http://jih-tabriziau.ir/article-1-117-fa.html
URL: http://jih-tabriziau.ir/article-1-117-fa.html
رفیعی راد رضا، محمدزاده مهدی.(1401). تدوین نظریه کسر اصنام مستخرج از زندگی ابراهیم(ع) در قرآن و تبیین کاربست و جایگاه آن در هنر اسلامی، با رویکرد نظریه داده بنیاد هنرهای صناعی اسلامی 6 (1) :70-57 10.52547/jic.6.1.57
1- دانشکدۀ هنرهای صناعی اسلامی، دانشگاه هنر اسلامی تبریز، ایران ، r.rafieirad@tabriziau.ac.ir
2- دانشکدۀ هنرهای صناعی اسلامی، دانشگاه هنر اسلامی تبریز، ایران
2- دانشکدۀ هنرهای صناعی اسلامی، دانشگاه هنر اسلامی تبریز، ایران
چکیده: (6002 مشاهده)
تقلید و واردات شیوههای تولید آثار هنری و مبانی هنر، از تمدنهای دیگر، به تمدن اسلامی، در دوران معاصر، سبب تولید انبوهی از آثار، با ویژگیهای متفاوت و گاها متناقض با مبانی فکری اندیشه اسلامی گردیده است. هدف پژوهش حاضر، برداشتن اولین گامها، برای ارائه یک نظریه، مبتنی بر قرآن با تکیه بر شیوه تفکر ابراهیم(ع)، که برخی نیازهای کارکردی و نظری هنرمندان جهان اسلام را مرتفع گرداند، میباشد. ابراهیم(ع) بهعنوان شخصیت تاریخی، با پنج ویژگی منحصر بفرد و ناظر بر عقلانیت و تفقه او، یعنی رشدیافتگی فکری پیش از نبوت، الگوی خوب برای مومنان، صاحب بینش، صاحب قلب سلیم و دیدن ملکوت آسمان و زمین معرفی شده و مخالفان استدلالات او نیز، سفیه و کمعقل خطاب شدهاند. پژوهش حاضر از نوع کیفی است و با استفاده از روش تئوری دادهبنیاد به انجام رسیدهاست. پس از جمعآوری کلیه دیتاها و انجام کدگذاری باز، محوری و انتخابی، ضمن یافتن پاسخها، مکانیزم تفکر ابراهیم(ع) بهعنوان فرآیندی عقلانی، که بر اساس نقد مکرر معیارهای پیشین، معیارهای جدید خلق میکند، تحت نام نظریه «کسر اصنام »، استخراج و کارکرد آن در هنر را مشخص شد. سپس به شباهتها و تفاوتهای این نظریه و اندیشهانتقادی که در بستر سوبژکتیویسم به وجود آمده و مبنای هنر مدرن از منظر گرینبرگ معرفی گردیده، پرداخته شد. همچنین عدم هرگونه تنافر یا تناقض این نظریه به اصول، ثوابت و امور لایتغیر و لایزالی که در خلق هنر سنتی، و در قلب آن هنر دینی، ضروری هستند، بررسی و مشخص شد و در نتیجه مکانیزم تولید و ارتقاء معیارهای جدید برای ایجاد محصولات جدید بر اساس نقدهای پیاپی در چارچوب فاصله عبودیت و ربوبیت، بر اساس این نظریه تبیین گردید.
واژههای کلیدی: «ابراهیم(ع) در قرآن»، «هنر اسلامی»، «تولید اثر هنری»، «عبودیت و ربوبیت»، «اندیشه انتقادی»
نوع مطالعه: پژوهشي |
موضوع مقاله:
مبانی نظری هنر اسلامی
دریافت: 1399/7/29 | پذیرش: 1400/10/22 | انتشار: 1401/9/2
دریافت: 1399/7/29 | پذیرش: 1400/10/22 | انتشار: 1401/9/2
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