-------------- --------------
Volume 6, Issue 2 (Semi-Annual 2022)                   JIC 2022, 6(2): 1-11 | Back to browse issues page


XML Persian Abstract Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Panjehbashi E, Najibi N. (2022). Recognition and Analysis of Visual Features of the Horse Motif and Visual Factors Affecting Polo Game Illustration with Emphasis on Three Miniatures of Tahmasebi Shahnameh. JIC. 6(2), 1-11. doi:10.52547/jic.6.2.1
URL: http://jih-tabriziau.ir/article-1-189-en.html
1- Department of Painting, Faculty of Arts, Al-Zahra University, Tehran, Iran , elaheh_141@yahoo.com
2- Department of Painting, Faculty of Arts, Al-Zahra University, Tehran, Iran
Abstract:   (4204 Views)
The horse is one of the most important components of the heroic elements in Polo game scenes in Shahnameh, which has been highly regarded by artists. Thus, the horse motif is at the center of the polo game illustration. This article focuses on content analysis of visual features of the horse motif and visual factors affecting Polo game illustration with emphasis on three miniatures of Tahmasebi Shahnameh. Therefore, in the present study, using the research method of descriptive-analytical and library resources, it answers the question here: What techniques did artists use to create Polo Game illustrations?
Based on research results, in Polo Game illustrations, a clear representation of the artist's visual output has been applied to the narration of Shahnameh with a proper and organized mood. Hence, the horse motif, which plays a key role in combining the visual elements of polo game scenes, loyalty at the same time to the text, has a special place, and the arrangement and composition of the visual elements of the miniatures are depicted based on the centrality of this motif.
 
Full-Text [PDF 1167 kb]   (2768 Downloads)    
Type of Study: Original Research | Subject: 2
Received: 2022/06/11 | Accepted: 2022/12/17 | Published: 2023/03/15

References
1. Azarnoosh, Azartash. (2012). The history of polo in Iran and Arab lands, first edition, Tehran: Mahi Publications. [In Persian]
2. Anuri Abivardi, Ohaddin Mohammad. (1997). Divan Anuri, with an introduction by Saeed Nafisi, by Parviz Babaei, Tehran: Negah. [In Persian]
3. Babaei, Javad. (2014). Polo sport in the Safavid era, master's thesis in the history of Islamic Iran, Lorestan University - Faculty of Persian Language and Literature. [In Persian]
4. Badlisi, Sharaf Khan. (1994). letter of honor Detailed history of Kurdistan. With an introduction and notes and indexes by Mohammad Abbasi. Tehran: Hadith. [In Persian]
5. Bani Asadi, Mohammad Ali. (2013). "Examination of pictures related to the story of Dahhak in the Shahnameh of Shah Tahmasabi from the perspective of illustration", Negre Scientific-Research Quarterly, No. 32, pp. 4-25. [In Persian]
6. Parviznia, Siddiqa. (2014). Investigating the position of the horse in the Safavid era (with emphasis on the views of travelogues). Parse Journal, No. 25, 1-22. [In Persian]
7. Khosravi, Molod. (2019). Polo and the role of the world; Re-examining the culture and identity of Iranian-Islamic architecture. Journal of Architecture and Urbanism of Iran. Volume: 11, Number: 2, 253-273. [In Persian]
8. Dehkhoda, Ali Akbar. (1994). Dehkhoda dictionary, second edition, Tehran: Tehran University Press. [In Persian]
9. Shekarpour, Shahriar and Azhari, Fariba. (2021). The ambiguous nature of pictorial signs in Iranian paintings (a case study of four works from Tahmasabi's Shahnameh in the Aga Khan Museum). Journal of Literary Criticism and Rhetoric, 10(3), 53-80. [In Persian]
10. Ghaffari, Abuzar. (2013). The reflection of polo in Persian poetry and literature based on the Khorasani style, master's thesis of Persian language and literature, Razi University - Kermanshah - Faculty of Literature and Humanities. [In Persian]
11. Gholami Hojqan, Fatemeh; Seyed Ahmadi Zawiya, Seyed Saeed and Azarnoush, Azartash. (2015). Studying the changes of the polo stick based on the paintings and manuscripts of the Seljuk and Safavid eras. Quarterly Journal of the Strategic Studies Center of the Ministry of Sports and Youth, 15(34), 21-40. [In Persian]
12. Fazli, Mehtab. (2009). Explaining the visual characteristics of Masnavigoi and Chogan versions, master's thesis in visual communication, Shahid University of Tehran. [In Persian]
13. Karmi Chame, Youssef. (2011). The appearance of polo in Hafez's sonnets, Payam Baharestan. Year 4, Number 15, 52-69. [In Persian]
14. Kareem Oof, Kareem. (2006). Sultan Muhammad and his school (School of Tabriz). Tehran: Ministry of Culture and Islamic Guidance. [In Persian]
15. Mahmoudi Shahrbabki, Marjan. (2011). The roots of the emergence and evolution of lacrosse in Iran, master's thesis in sports management and planning, Islamic Azad University, Tehran branch. [In Persian]
16. Moin, Mohammad. (2003). Persian culture collection, 6th edition, Tehran: Amir Kabir. [In Persian]
17. Nabatchian, Abdul Reza. (2013). "Football, the heart of Iran's cultural and sports diplomacy". Sharq Newspaper, No. 2173. [In Persian]
18. Varamini, Nima. (2011). Creative thinking in graphics, third edition, Tehran: Farhangsarai Mirdashti. [In Persian]
19. Canby, Sh. R. (2014). The Metropolitan Museum of Art, New York: Yale University Press.
20. Evrard, J. R. (1981). Rubella, the Trojan horse of obstetrics. Obstetrics and Gynecology, 58(4), 505-507.

Add your comments about this article : Your username or Email:
CAPTCHA

Send email to the article author


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

© 2026 CC BY-NC 4.0 | Journal of Islamic Crafts

Designed & Developed by : Yektaweb