Volume 8, Issue 1 (Semi-Annual 2024)
JIC 2024, 8(1): 15-24 |
Back to browse issues page
Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
Barati B, Bolkhari H. (2024). The role of remembrance in the development of the spiritual identity of Islamic architecture with emphasis on the first to fifth centuries of Hijri. JIC. 8(1), 15-24. doi:10.61186/jic.8.1.236
URL: http://jih-tabriziau.ir/article-1-236-en.html
URL: http://jih-tabriziau.ir/article-1-236-en.html
1- Faculty of Industrial Arts, Tabriz Islamic Art University, Tabriz, Iran
2- Department of Advanced Art Studies, Faculty of Visual Arts, Fine Arts Campus, University of Tehran, Tehran, Iran ,hasan.bolkhari@ut.ac.ir
2- Department of Advanced Art Studies, Faculty of Visual Arts, Fine Arts Campus, University of Tehran, Tehran, Iran ,
Abstract: (3918 Views)
Zikr is an esoteric concept in Islamic culture and mysticism. Considering the importance of this concept, artists, because art is based on emergence and deals with face; In their works, they have translated this esoteric concept into a visual form. The current research, while examining the religious meaning of the term zikr in its various aspects, has paid attention to the visual arrangements of artists and architects in interpreting the inner meaning of zikr in a material and visual way in Islamic architecture. The use of verses and narrations and the names of God, the Prophet, and the Shia imams and the use of the principle of unity are the most important visual strategies in the development of Islamic identification based on the concept of zikr. In this regard, 10 examples of Islamic mentions in the form of inscriptions in the buildings of the first to the fifth centuries of Hijri, based on library studies and qualitative analytical methods, have been selected as samples. The use of azkar in its various forms has caused it to take on a religious and Islamic color and to absorb a person in its attraction, willingly or unwillingly. Paying attention to the spiritual and spiritual aspects in Islamic arts in general and architecture in particular, on the one hand, has led to the development of the spiritual identity of the work, an identity independent of the form and body, which even acts as an obstacle against the development of a single and coherent physical identity of the work. . And on the other hand, it has led to the development of special visual principles such as the principle of unity in the Islamic visual system.
Type of Study: Original Research |
Subject:
2
Received: 2022/12/28 | Accepted: 2023/04/26 | Published: 2025/01/4
Received: 2022/12/28 | Accepted: 2023/04/26 | Published: 2025/01/4
References
1. Akwan, M. (1996). The concept of unity and plurality, the growth of Quran and Islamic education, Winter, No. 26. (22-26). [in Persian] [DOI:10.1097/00152193-199609000-00008]
2. Bashevi, M. Y. (2004). Criticism and review of the views of the parties about the people of Zikr, Research Journal of Hikmat and Islamic Philosophy, Qom, Al-Mustafa Al-Alamiya University (Tolua Noor), No. 7, Autumn; No. 7, 58-79. [in Persian]
3. Bolkhari Qahi, H. (2015). Quadr, theory of art and beauty in Islamic civilization, Tehran: Surah Mehr Publications, first edition. [in Persian]
4. Burkhart, T. (1987). Islamic art, language and expression, Translated by Masoud Rajabnia, Tehran: Soroush. [in Persian]
5. Burkhart, T. (1991a). Holy Art (Principles and Methods, Translated by Jalal Sattari, Tehran: Soroush. [in Persian]
6. Burkhart, T. (1991b). Fundamentals of Islamic Art, Translated by Amir Nasri, Tehran: Haqiqat. [in Persian]
7. Farabi. (1968). Combine the opinions of the wises. By Albir Nasri Nader, Beirut, Volume 1. [in Persian]
8. Farahidi, Kh. (1989). Al-Ain, Qom: Emigration. [in Persian]
9. Ghazali, M. (1989). Revival of religious sciences, Kimia-ye-Saadat, Hossein Khadiojam, Tehran. [in Persian]
10. Jafartayyari, M., & Noori, S. (2016). An Investigation into Ahl-e Zekr's Verses in Commentaries. Journal of Imamiyyah Studies, 1(2), 23-45. [in Persian]
11. Jahanbaglou, R. (2007). in search of the holy matter, a conversation with Seyyed Hossein Nasr, Translated by Seyed Morteza Shahr Ayeni, Tehran: Ni Publishing. [in Persian]
12. Kilini, M. (1939). Kafi (general). Lithography. Bija: Without. [in Persian]
13. Kuhnel. E. (1996). Islamic Art and Architecture. London: G. Bell and Sons Ltd.
14. Madanian Mohammadi, Ali. (2016). Introduction and review of the manuscripts of Sarkoche Mohammadiyeh Nayin Mosque", International Conference on Oriental Studies, Ferdowsi and Persian Culture and Literature, Yerevan State University of Armenia with Mobin Cultural Ambassadors Institute. [in Persian]
15. MahdaviNejad, Mohamad Javad (2014). The wisdom of Islamic architecture, searching in the deep spiritual constructions of Islamic architecture in Iran. Honar-Ha-Ye-Ziba: Memary Va Shahrsazi, 3(19), 37-47. [in Persian]
16. Meybodi, R. (1992). Kashf al-Asrar and Kait al-Abrar, Tehran: Amir Kabir, volume 4. [in Persian]
17. Michell. G., & Grube, E. J. (1984). Architecture of the Islamic World: its history and social meaning. with a complete survey of key monuments. London: Hudson Press.
18. Mostafavi, H. (1981). Research, Tehran: Book Translation and Publishing Company. [in Persian]
19. Najm Razi, A. (1986). Masrad al-Abad Man Al-Mubadd to Al-Maad, by Mohammad Amin Riahi, Tehran: Scientific and Cultural, 2nd edition. [in Persian]
20. Nasr, S. H. (2006). Sadrai Shirazi in the history of Islamic philosophy, by Mohammad Sharif, Tehran: Academic Publishing Center. [in Persian]
21. Plato. (2002). Collection of Works, Translated by Hasan Lotfi, Reza Kaviani, Tehran: Khwarazmi, third edition, volume 1. [in Persian]
22. Rossi. V. (2002). Presence, Participation, Performance, Paths to theHeart (Sufism and the Christian Eastern), James S. Cutsinger (ed.), world wisdom.
23. Suhravardi, Y. (1993). The wisdom of illumination; The collection of works, by the efforts of Hanri Karban, Tehran, vol:2. [in Persian]
24. Semnani, A. (1990). Persian works by Najib Mayel Heravi, Tehran: Scientific and Cultural Publications. [in Persian]
25. Sadr al-Din Shirazi, M. (1981). Al-Shawahed al-Rubabih, by Jalal al-Din Ashtiani, Tehran, vol.1. [in Persian]
26. Saffar, M. (2002). Basair al-Deraj fi Fadael al-Muhammad (pbuh), corrected by Mirza Mohsen, "Koche Baghi", Tehran: Al-Alami. [in Persian]
27. Tabatabaei, S. M. H. (1996). Al-Mizan fi Tafsir al-Qur'an, Qom: Qom seminary seminary community. [in Persian]
28. Tarihi, F. (1996). Majma Al-Bahrein. Research: Sayed Ahmad Hosseini, Tehran: Mortazavi bookstore. [in Persian]
29. Vajdi, M. J. (2012). Seal and the name of the blessed Prophet (PBUH) in the seal, Nama h - ye - Baharestan; New period, number 20. [in Persian]
30. Vaghedi, M. (1986). Tabaqat, Translated by Dr. Mahmoud Afghani, Tehran: New Publishing. [in Persian]
31. Wilber. D. N. (1965). The Architecture of Islamic Iran: The IlKhanid Period Islamic Iran, New York: Greenwood Press
Send email to the article author
| Rights and permissions | |
 |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. |
Contact Us
Address: Faculty of Islamic Crafts, Tabriz Islamic Art University, Azadi St., Hakim Nezami Sq., Tabriz, Iran. PostalCode: 51385-4567
E-mail: tiaj
tabriziau.ac.ir
Phone: +(98) 4135297551
E-mail: tiaj
tabriziau.ac.irPhone: +(98) 4135297551
