Volume 8, Issue 1 (Semi-Annual 2024)
JIC 2024, 8(1): 159-169 |
Back to browse issues page
Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
Pourmokhtar S. (2024). Hermeneutic Reading of the Image and Text in Two Tiles of Ilkhanid Era based on Eric Hirsch's views. JIC. 8(1), 159-169. doi:10.61186/jic.8.1.315
URL: http://jih-tabriziau.ir/article-1-315-en.html
URL: http://jih-tabriziau.ir/article-1-315-en.html
Department of Art Research, Faculty of Arts, Shahed University, Tehran, Iran , s.pourmokhtar@shahed.ac.ir
Abstract: (2355 Views)
Modern hermeneutics, of which Eric Hirsch is one of the founders, is in fact a bridge between traditional and philosophical hermeneutics. Traditional hermeneutics believed in the originality of the author's intention in interpreting the works, while philosophical hermeneutics considered the audience to be a partner in the interpretation of the work of art and considered the number of knowledgeable audiences to interpret the work of art acceptable. Eric Hirsch believes that by using the stages of apparent meaning, initial hypothesis and interpretation of the work, the audience can approach the author's intention. In other words, the destination is the author's intention (traditional hermeneutics), but it can be approached from different directions (philosophical hermeneutics), not just one way. The development of this view has been the subject of this research with the aim of further identifying the patriarchal art and tiles of this period. The method is analytical descriptive and based on Eric Hirsch's hermeneutic views. Based on this, he went through the steps of interpreting the works using the connection between the text and the image in order to approach the meaning of the author's work and intention. This research seeks to answer the question of what is the relationship between the text and images of patriarchal tiles? and how can this connection be understood using a hermeneutic method? The results of this study include the relationship between common sciences as astronomy in this period and tile motif.
Type of Study: Original Research |
Subject:
2
Received: 2023/12/29 | Accepted: 2024/09/10 | Published: 2025/01/4
Received: 2023/12/29 | Accepted: 2024/09/10 | Published: 2025/01/4
References
1. Abbasian, M. M. (2000). History of Pottery and Tiles in Iran. Tehran: Gutenberg Publications. [in Persian]
2. Ahmadi, B. (2001). Text Structure and Interpretation. Tehran: Markaz. [in Persian].
3. Bakhturtash, N. (2001). The Mysterious Sign of the Round of the Sun or the Round of the Seal. Tehran: Farvahar. [in Persian]
4. Brand, R. H. (2007). Islamic Art and Architecture. Translated by Ardashir Eshraghi. Tehran: Rozaneh. [in Persian]
5. Degani, M. (2000). Astronomy in Plain Language. Translated by Mohammad Reza Khajehpour. Tehran: Institute of Geography and Cartography of Tehran Gitashenasi. [in Persian]
6. Diamond. S. M. (1986). Guide to Islamic Industries. Translated by Abdollah Faryar. Tehran: Scientific and Cultural Publications. [in Persian]
7. Eqbal Ashtiani, A. (2010). Mongol History. Tehran: Negah Publications.
8. Esfarangi, S. A. (2016). Diwan Saif Esfarang. Farzad Jafari (Eds.). Tehran: Research Institute of Humanities and Cultural Studies. [in Persian]
9. Ferdowsi, A. (2013). Shahnameh. Jalal Khaleqi Motlaq (Eds.). First Edition. Tehran: Sokhan Publications. [in Persian]
10. Hamzei, A. (2018). Typology of Mythological Motifs of Golden Fam Tiles of the Ilkhanid Period, First Biennial National Conference on Archeology and Art History of Iran, Babolsar, Mazandaran University. [in Persian]
11. Hatami, H. (2007). Shahnameh and Astrology. Mystical Literature and Cognitive Mythology. Number 8. [in Persian]
12. Hirsch, E. (1978). The Aims of Interpretation. Chicago: University of Chicago Press.
13. Hirsch, E. (1967). Validity in Interpretation. Yale University Press. [DOI:10.5040/9781350928510]
14. Izadiniya, H., & Vaezi, A. (2013). "The challenge of Gadamer and Hirsh on the criterion of correctness of interpretation". Wisdom and philosophy. 10th year Number 3. [in Persian]
15. Kasravi, A. (1986). History of Lion and Sun. Tehran: Roshdieh. [in Persian]
16. Kiyani, F. (2011). "Income on the art of Iranian tile work". Book of Art Month, No. 153. [in Persian]
17. Krausz, M. (2001). Is there a Single Right Interpretation? Pennsylvania: The Pennsylvania State. [DOI:10.1515/9780271032344]
18. Lashkari, A., Sharifinia, A., & Mohajervatan, S. (2015). A Study of Luster Tile Designs from Aveh in Ilkhanid Period. Negareh Journal, 9(32), 38-54. [in Persian]
19. Masuya, T. (2000). "Persian Tiles on European Walls: Collecting Ilkhanid Tiles in Nineteenth-Century Europe". Ars Orientalis, 30, 39-54. Retrieved June 29, 2020, from www.jstor.org/stable/4434261
20. Mowlavi, J. M. (1993). Koliat Shams Tabrizi. Tehran: Amir Kabir. [in Persian]
21. Porter, V. (2001). Islamic Tiles. Translated by Mahnaz Shaiste Far. Tehran: Institute of Islamic Art Studies. [in Persian]
22. Pourdavoud, H., Mostajeran, H., & Masjedi Khak, P. (2019). Inscriptions of Golden Tile, Usable Version of Editing Literary Texts. Parseh J Archaeol Stud. 3(7), 137-160. doi:10.30699/PJAS.3.7.137. [in Persian] [DOI:10.30699/PJAS.3.7.137]
23. Razavi, A. (2011). City, Politics and Economy During Ilkhanid Era. Tehran: Amir Kabir Publications. [in Persian]
24. Sarukhani, B. (1991). Encyclopedia of Social Sciences. Tehran: Keyhan. [in Persian]
25. Shokrpour, Sh., Tavossi, M., & Quchani, A. (2012). The Reflection of the Social and Cultural Approaches of the Ilkhanid Era on the Luster Titles of Takht Suleiman. Visual and Applied Arts Letter, 6(11), 53-66. [in Persian]
26. Tahuri, N. (2002). "Luster Titles of Ilkhanid Era". The Book of the Month of Art. No. 45-46. [in Persian]
27. Vaezi, A. (2006). An Introduction to Hermeneutics. Tehran: Publications of the Islamic Culture and Thought Research Institute. [in Persian]
28. URL1: https://www.louvre.fr
29. URL2: http://safecomp.ir/en
30. URL3: https://www.lpi.usra.edu/education/skytellers/polaris/
31. Watson, O. (1995). Persian Luster Ware. Boston: Faber and Faber.
32. Wilber, D. N. (1986). Islamic Architecture of Iran During Ilkhanate Period. Translated by Abdollah Faryar. Tehran Publications. [in Persian]
33. Zafari Naeini, S., Rahmani, J., & Jokar, J. (2017). "Hermeneutic Analysis of Jazizadeh's Aaintings with Hirsch's Approach". Theoretical Principles of Visual Arts.No. 2: 5-22. doi: 10.22051/jtpva.2017.3968 [in Persian]
Send email to the article author
| Rights and permissions | |
 |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. |
Contact Us
Address: Faculty of Islamic Crafts, Tabriz Islamic Art University, Azadi St., Hakim Nezami Sq., Tabriz, Iran. PostalCode: 51385-4567
E-mail: tiaj
tabriziau.ac.ir
Phone: +(98) 4135297551
E-mail: tiaj
tabriziau.ac.irPhone: +(98) 4135297551
