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Volume 8, Issue 1 (Semi-Annual 2024)                   JIC 2024, 8(1): 111-128 | Back to browse issues page

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Babaei Fallah H. (2024). Classification of the effects of Persian Painting on contemporary Iranian painting. JIC. 8(1), 111-128. doi:10.61186/jic.8.1.347
URL: http://jih-tabriziau.ir/article-1-347-en.html
Classification of the effects of Persian Painting on contemporary Iranian painting
Hadi Babaei Fallah *
Traditional Arts Department, Cultural Heritage and Tourism Research Institute, Tehran, Iran , hadi83babaei@yahoo.com
Abstract:   (2783 Views)
After the end of the Qajar period, the Iranian art was more influenced by Western culture and art. Due to the influence of Western culture and art, more modern trends entered Iranian art. The Persian painting, which had stagnated for a long time from the Isfahan school, was transformed by artists such as Hadi Tajveidi, and through that, the Tehran school of Persian Painting was established. The Tehran school of Persian painting under the influence of the cultural and artistic atmosphere of the Pahlavi period, while benefiting from the artistic techniques of old painting and paying attention to innovation while preserving the roots, meeting the needs of contemporary audiences and points such as Iranianizing the faces to do it Painting faces were influenced by Chinese and Central Asian faces before Tehran school of Persian Painting. The Tehran school of Persian Painting, which was formed during the first Pahlavi period, left a significant impact on the painting of the second Pahlavi period and then on the painting after the victory of the Islamic Republic.  With the forward movement of contemporary painting, some works of painting were placed on the border between Persian painting and modern painting, and some works of modern painting also took many signs of old painting under the influence of the atmosphere that demanded Iranian identity. The present article has searched for the answer to the question that how and through which examples of contemporary Persian Painting and painting have received the effects of ancient Persian painting? The main purpose of this research was to formulate and categorize the methods of referring to ancient painting in contemporary painting and painting of Iran. The present research was written in a descriptive and analytical method and in a quantitative and qualitative way, and its statistical population included all paintings and drawings of the 14th century of the solar Hijra; From this large statistical population, twenty-three works have been selected and discussed. From the results of the present research, the recognition and classification of four main currents influenced by ancient painting in contemporary Persian painting and painting, three of which are placed in the category of contemporary painting due to their undeniable similarity with ancient painting, and the fourth category Due to the innovations that go beyond the framework of old painting, they have the possibility to be named with the names of modern Persian Painting, illustration and modern painting.
Keywords: Iranian Art, Traditional Art, Persian Painting, contemporary Persian Painting, Modern Painting.
Full-Text [PDF 3093 kb]   (1621 Downloads)    
Type of Study: Original Research | Subject: 2
Received: 2024/06/10 | Accepted: 2024/09/9 | Published: 2025/01/4
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