قابل توجه نویسندگان محترم، مقالاتی که از تاریخ 1404/07/13 برای نشریه ارسال می شوند، شامل پرداخت هزینه بررسی نخواهند شد.
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1- Art University of Isfahan
2- Art University of Isfahan ,f.khosravi@aui.ac.ir
2- Art University of Isfahan ,
Abstract: (19 Views)
The advancement of bookmaking during the Islamic period led to significant developments in associated tools and accessories, including pen cases, which were crafted in various styles and materials. Among these, metal pen cases constitute a noteworthy category that warrants in-depth study. This research addresses two primary questions: A: How can Iranian metal pen cases be classified in terms of form? and B: What motifs are commonly featured on these pen cases? To answer these questions, 15 specimens were selected from a collection of 50 examples. The selection was based on geographical representation, variety of forms, and the richness of motifs. The research adopts a descriptive-analytical approach, utilizing data gathered from library resources. The pen cases were analyzed with regard to their overall form, framing, and composition. The findings reveal that, based on the cross-sectional shape of their base, pen cases can be categorized into two main groups: rectangular (including plain and almond-shaped forms) and triangular (including elongated trapezoidal and pentagonal forms). Among these, almond-shaped designs were the most prevalent, although all types were used during different periods. The decorative motifs were classified into six categories: herbal, human, written, geometric, animals, and astronomical motifs. Herbal motifs, such as arabesques and hybrid forms, were the most frequently used, followed by written motifs rendered in Towghi and Kufic scripts. Human motifs, depicting scenes of hunting, combat, music, and dance, were less common, while animal motifs—both realistic and mythical—ranked next in frequency. Geometric patterns were often employed in border designs, while astronomical motifs were rare, with only one recorded example.
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