Journal of Islamic Crafts

	Shahab al-din Abdullah Morvarid's Preface to the Album (Muraqqa) Amir Alishir Navai: A newly discovered document / Iman Raeisi

	Barriers and Solutions for Employment Generation in the Culture and Arts Sector / Meisam Modarresi, Mahdi Amraei, Fatemeh Jafari

	A Semiotic Reading of Cultural Identity in the Brand “Persian Garden Jewelry” Based on Peirce's Semiotics: A Case Study of the Pendants “The Bird and the Cypress,” “The Common Nightingale,” and “The Angel and the Moon” / Reihaneh Rashidi, Mehdi Mohammadzadeh

	The Role of Architectural Ornaments in the Formation of Pilgrims' Spiritual Memory; Case Study: The Holy Shrine of Hazrat Masoumeh (PBUH) / Maryam Sekhavat, Hamed Hayaty

	Inclusive Museum and the Representation of "Ummah": A Discursive Analysis of the 2022 Reinstallation of MIA Qatar / Ali Malziri Papi, Parviz Eghbali, Khashayar Ghazizadeh

	Study of the Technology of Casting Using Ceramic Shell Molds in the Art of Metalworking / Ghasem Alipour, Akram Mohammadizadeh, Abbas Karimi

	Infographics in the Images of Islamic Manuscripts on Mechanical Science (12th – 17th Centuries) / Zeinab Saeedzade, Mohamad Reza Ghiasian

	The concept of "Sakhsi"; A narrative research study among the people of Tabriz / Atefe Fazel, Mohammad Taghi Pirbabaei, Mohammad Abbaszadeh

	Formal Reading and Semiotic Analysis of the Aperture in Traditional Houses of Kazeroun / Nadiya Ashayeri, Behzad Vasigh

	The Influence of Iranian Textile Art of the Qajar Era on the Textiles of the Art Nouveau Movement: A Comparative Approach / Fargol Zarafshan, Manzar Mohammadi

Year 2026
- Semi-Annual
Year 2026
- Volume 10 - Issue 1 -Semi-Annual
Year 2025
- Volume 9 - Issue 2 -Semi-Annual
- Volume 9 - Issue 1 -Semi-Annual
Year 2024
- Volume 8 - Issue 2 -Semi-Annual
- Volume 8 - Issue 1 -Semi-Annual
Year 2023
- Volume 7 - Issue 2 -Semi-Annual
- Volume 7 - Issue 1 -Semi-Annual
Year 2022
- Volume 6 - Issue 2 -Semi-Annual
- Volume 6 - Issue 1 -Semi-Annual

[ 0-5 of 10 Next ]

Developing Future Scenarios for Iran’s Handwoven Carpet Art-Industry with a Focus on Technological Factors toward 2035

The Iconology of the Mehtar and the Horse in the Muraqqa-e Gulshan: The Safavid Mehtar in the Service of Gurkanid Shiva and Greek Aphrodite

The Role of Architectural Ornaments in the Formation of Pilgrims' Spiritual Memory; Case Study: The Holy Shrine of Hazrat Masoumeh (PBUH)

A Study and Analysis of the Visual Elements of Jongs from the Library of Ibrahim Sultan Timurid in Shiraz ninth century AH

Exploring the perspectives of experts on the role of art education in fostering creative thinking: A qualitative study

Inclusive Museum and the Representation of "Ummah": A Discursive Analysis of the 2022 Reinstallation of MIA Qatar

The Relationship Between Text and Image in the Haft-Peykar Paintings: A Case Study of Manuscript No. 1029, Bibliothèque nationale de France

Infographics in the Images of Islamic Manuscripts on Mechanical Science (12th – 17th Centuries)

An analysis of Sheila Blair's methodological approach in reading Iranian Islamic inscriptions, with an emphasis on the connection between the text and the architectural context

A Semiotic Reading of Cultural Identity in the Brand “Persian Garden Jewelry” Based on Peirce's Semiotics: A Case Study of the Pendants “The Bird and the Cypress,” “The Common Nightingale,” and “The Angel and the Moon”

Principles of Transparency

Peer-review process
All submitted articles are evaluated at the submission to meet the structural and subject principles of JIC. The matched articles will go under a double-blinded peer-review process by at least 3 reviewers (experts in the field who are not part of the journal’s editorial staff) who are selected by the Editorial Board members according to their field specialties. The Editorial Board members have the final responsibility to select the articles.

Governing body
JIC is under the scientific control of the Editorial Board whose members are recognized experts in the subject areas included within the journal’s scope. Some executive roles of the Editorial Board members are delegated to the Editor-in-Chief who is well-known in the journal’s scope.

Editorial team
JIC is under the scientific supervision of the Editorial Team whose members are all experts with a high number of publications in their field.

Author fees/Access
There are No Fees or Charges at submission, reviewing, and publishing processes in JIC.
JIC follows the Bethesda Statement on Open Access Publishing.

Copyright
The content of JIC is published under the Creative Commons Attribution-NonCommercial 4.0 International Public License. To the extent this Public License may be interpreted as a contract, JIC is granted the Licensed Rights in consideration of your acceptance of these terms and conditions, and the Licensor grants You such rights in consideration of benefits the Licensor receives from making the Licensed Material available under these terms and conditions.
JIC allows the authors to hold the copyright without any restriction and the material is freely presented to the readers and can be used according to Creative Commons Attribution-NonCommercial 4.0 International Public License.

Process for identification of and dealing with allegations of research misconduct
Publisher and editors of JIC are reasonable to identify and prevent the publication of papers where research misconduct has occurred, including plagiarism, citation manipulation, and data falsification/fabrication, among others. In doing so, JIC follows COPE’s guidelines in dealing with allegations.

Ownership and management
JIC is owned and published by Tabriz Islamic Art University,Tabriz, Iran.

Conflicts of interests
All JIC Editorial Board members and the Editor-in-Chief submitted articles are gone under the same reviewing process as the other authors are gone. In the cases that a reviewer suspects an undisclosed conflict of interest in a submitted manuscript or a reader suspects an undisclosed conflict of interest in a published article JIC will follow COPE’s guidelines.

Revenue sources/Advertising/Direct marketing
JIC is financially supported completely by Tabriz Islamic Art University,Tabriz, Iran, and has no other sources for earning funds. JIC accepts No advertisements on the site or even as a report article.

Publishing schedule/Archiving
JIC has published 2 issues per year. All the content from the beginning to the end will be available forever on the JIC exclusive website. Also, JIC has the plan to enter the EBSCOhost and Scopus, and Clarivate Analytics databases.