Journal of Islamic Crafts

	Expression of Syrian nationalism in Tawfiq Tariq's paintings / Mehdi Mohammadzadeh, Yaˈqūb Talebi

	Typology of the Visual Composition of Flowers and Birds in Safavid Palace Murals and Qajar Extensions / mumammad savari, Alireza Sheikhi

	Typology of strange creatures in the version of the Aja'ib al-Makhluqat of Tusi. / leila afshar, mina sadri

	Research in the Architectural decorations ( the Qajar house Haj Mirza Ebrahim Sadeghi In the city of Ardabil) / mehdi kazempour, maryam salahi, zara yari

	Comparison of Guilan’s holy shrine painitngs and Under-glass painting (Zand and Qajar dynasty), based on Genette’s theory with an an emphasize on Equality / Monir Sehatgholfard, Hossein Abeddoost, Ziba Kazempoor

	Commodification as a violence against art (case study: pictorial carpets) / Laleh Ahani, Shahryar Shokrpour, Mohammad Abbaszadeh, Mr Mehdi Keshavarz Afshar

	Strategic planning in the art of turquoise carving in Mashhad and its development strategies / Mr Iman zakariaee kermani, Mrs Sakineh Moradi Bajestani

	An analysis of the beauty and semantic functions of Iranian sculptural locks. (Case example: Challeshtor lock) / hossein ebrahiminaghani, Kobra Rafiei Taqanki

	A comparative study of the clothing of lily and Majnun based on Manzume Nizami Ganjavi and related figures / fatemeh chavoshi najafabadi, S. Ali mojabi, mahdi sadeghi

	Analytical study of the visual structure of Qajar royal jewelry in the national jewelry treasury of Iran / Farnoush Shamili, Tahereh Pourmohammad

Year 2022
- Semi-Annual
Year 2021
Year 2020
- Volume 4 - Issue 1 -Semi-Annual
Year 2019
- Volume 3 - Issue 1 -Vol.3, No.1, Autumn-Winter
Year 2018
- Volume 2 - Issue 1 -Vol.2, No.1, Spring-Summer
Year 2017
- Volume 1 - Issue 1 -Vol.1, No.1, Autumn-Winter

Analysis of the Mina Khani Rug Preserved at the Brooklyn Museum using the Gestalt Theory of Visual Perception

Typology of strange creatures in the version of the Aja'ib al-Makhluqat of Tusi.

An analysis of the beauty and semantic functions of Iranian sculptural locks. (Case example: Challeshtor lock)

Semiotics analysis of the rug motifs of Tabriz Safavid paradise garden

Methodology for Providing a Quantitative Index to Explain the Complexity of the Relationship between Human Figures and the Architecture in the Illustrations of Shāhnāmeh of Shāh Tahmāsebi

Analytical study of the visual structure of Qajar royal jewelry in the national jewelry treasury of Iran

Study of structural features and patterns of Kashan Rothschild carpet preserved in Doha Museum of Islamic Art

Commodification as a violence against art (case study: pictorial carpets)

The concept of upper and lower triangle symbol in architectural works, case study: the tomb of Sheikh Haidar in Meshkinshahr.

Identifying the components of exercising power in Safavid Persian Garden Paintings

Principles of Transparency

Peer-review process
All submitted articles are evaluated at the submission to meet the structural and subject principles of JIC. The matched articles will go under a double-blinded peer-review process by at least 3 reviewers (experts in the field who are not part of the journal’s editorial staff) who are selected by the Editorial Board members according to their field specialties. The Editorial Board members have the final responsibility to select the articles.

Governing body
JIC is under the scientific control of the Editorial Board whose members are recognized experts in the subject areas included within the journal’s scope. Some executive roles of the Editorial Board members are delegated to the Editor-in-Chief who is well-known in the journal’s scope.

Editorial team
JIC is under the scientific supervision of the Editorial Team whose members are all experts with a high number of publications in their field.

Author fees/Access
There are No Fees or Charges at submission, reviewing, and publishing processes in JIC.
JIC follows the Bethesda Statement on Open Access Publishing.

Copyright
The content of JIC is published under the Creative Commons Attribution-NonCommercial 4.0 International Public License. To the extent this Public License may be interpreted as a contract, JIC is granted the Licensed Rights in consideration of your acceptance of these terms and conditions, and the Licensor grants You such rights in consideration of benefits the Licensor receives from making the Licensed Material available under these terms and conditions.
JIC allows the authors to hold the copyright without any restriction and the material is freely presented to the readers and can be used according to Creative Commons Attribution-NonCommercial 4.0 International Public License.

Process for identification of and dealing with allegations of research misconduct
Publisher and editors of JIC are reasonable to identify and prevent the publication of papers where research misconduct has occurred, including plagiarism, citation manipulation, and data falsification/fabrication, among others. In doing so, JIC follows COPE’s guidelines in dealing with allegations.

Ownership and management
JIC is owned and published by Tabriz Islamic Art University,Tabriz, Iran.

Conflicts of interests
All JIC Editorial Board members and the Editor-in-Chief submitted articles are gone under the same reviewing process as the other authors are gone. In the cases that a reviewer suspects an undisclosed conflict of interest in a submitted manuscript or a reader suspects an undisclosed conflict of interest in a published article JIC will follow COPE’s guidelines.

Revenue sources/Advertising/Direct marketing
JIC is financially supported completely by Tabriz Islamic Art University,Tabriz, Iran, and has no other sources for earning funds. JIC accepts No advertisements on the site or even as a report article.

Publishing schedule/Archiving
JIC has published 2 issues per year. All the content from the beginning to the end will be available forever on the JIC exclusive website. Also, JIC has the plan to enter the EBSCOhost and Scopus, and Clarivate Analytics databases.