-------------- --------------
Volume 8, Issue 2 (Semi-Annual 2024)                   JIC 2024, 8(2): 183-207 | Back to browse issues page


XML Persian Abstract Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Bahamighasr B, Afrough M. Analysis of the Mediated Role of the Style: Exploration of the Buyid dynasty Style with Emphasis on Jakobson's Linguistic Communication Theory. JIC 2024; 8 (2) :183-207
URL: http://jih-tabriziau.ir/article-1-359-en.html
1- Department of Graphics, Faculty of Arts, Arak University, Arak, Iran , b-bahramighasr@araku.ir
2- Department of Carpet Education, Faculty of Arts, Arak University, Arak, Iran
Abstract:   (880 Views)
Roman Jakobson, the prominent Russian linguist, believes that all linguistic structures have communicative purposes. He asserts that the orientation of a message toward any of the six communicative elements—sender, channel, receiver, contact, code, or message—reveals the message's function. According to this theory, it can be argued that the decorative Kufic inscriptions and motifs used in the context of Buyid textiles also serve a communicative function. The textile artists of the Buyid era, with their unique ingenuity, crafted a dynamic media framework using symbolic language, signs, symbols, and inscriptions, thereby creating a vibrant textile narrative. This study is significant because it examines the functional role of the Buyid style as a medium, which has not been previously explored. It addresses the question of how the Buyid style functioned as a promotional medium in the emerging Iranian-Islamic society. This article focuses on the analysis of 26 pieces of textiles discovered in the tomb of Bibishehrbanu and the Nagarakhanah cemetery in Shahr-e Rey. Data for this research were collected from library documents and credible museum websites, with data analysis conducted both qualitatively and quantitatively. The findings indicate that the textiles of the Buyid era served as a local medium that prioritized the distribution and transmission of political, cultural, and religious messages. Based on Jakobson's theoretical framework, the textiles exhibit various communicative functions, including aesthetic, referential, metalinguistic, emotive, conative, and, at last, phatic functions, with the aesthetic function being of the highest priority. Furthermore, the most frequently represented symbol is the tree of life, signifying power, growth, transcendence, and eternity, while the elephant symbol, which represents power, is the least frequently depicted. Additionally, the promotional-media function of this style corresponds to the fifth priority among the medium's functions, with the foremost function being aesthetic to attract and engage the audience toward the message.
Full-Text [PDF 836 kb]   (46 Downloads)    
Type of Study: Original Research | Subject: 3
Received: 2024/11/1 | Accepted: 2025/02/6 | Published: 2025/03/17

References
1. Quran
2. Abdollahi, Abolfazl; Namvar Motlagh, Bahman; Khazaei, Mohammad; Shams, Elham. (2023). "An Examination of the Intertextual Relationship of the Two-Headed Eagle Motif in the Al-Buyeh and Sassanid Periods." Scientific-Research Journal of Islamic Art Negarineh, Volume 10, Issue 25, Shahrivar 2023, pp. 5-19. [In Persian] Doi: 10.22077/NIA.2022.4922.1563
3. Abdollahi, Manijeh. (2002). Dictionary of Animals in Persian Literature, Volume 2. Tehran: Pazhoohandeh. [In Persian]
4. Aq Atabai, R.; Hashemi, G. ((2023)). "A Comparative Study of Inscribed Fabrics of the Buyids and Fatimids of Egypt." JIC, 7(2), 119-132. [In Persian] Doi: 10.52547/jic.7.2.311
5. Arianpour, Manouchehr Kashani. (2000). English-Persian Dictionary. Tehran: Jahān Rāyān Publishing. [In Persian]
6. Baker, Patricia. (2006). Islamic Textiles, translated by Mahnaz Shayestefar. Tehran: Islamic Art Studies Institute Publishing, 1st edition. [In Persian]
7. Bush, Olga. (2008). "A Poem is a Robe and a Castle: Inscribing Verses on Textiles and Architecture in the Alhambra." University of New York at New Paltz.
8. Dahkhoda, Ali Akbar. (1998). Dictionary. Tehran: University of Tehran Publishing Institute, Roshaneh. [In Persian]
9. Feizimoghadam, Elaheh Aref; Sharifzadeh, Mohammad Reza. (2023). "Comparative Study of the Griffin Motif in Achaemenid Art and Seljuk Art." Scientific Journal of Bagh Nazar, Volume 16, Issue 116, Bahman 2023, pp. 23-40. [In Persian]
10. Ghirshman, Roman. (1971). Art of Iran in the Parthian and Sassanian Periods, translated by Sasan Farahvashi. First Edition. Tehran: Scientific and Cultural Publications. [In Persian]
11. Giro, Pierre. (2001). Semiotics, translated by Mohammad Nabavi. Tehran: Agah Publishing. [In Persian]
12. Ibn Khaldun, Abd al-Rahman. (1996). The Muqaddimah of Ibn Khaldun, Volume 1, translated by Mohammad Parvin Gonabadi. Tehran: Scientific and Cultural Publishing Company, 8th edition. [In Persian]
13. Jobes, Gertrude. (1991). Symbols, translated by Mohammad Reza Baqapour. Tehran: Motarjem Publishing. [In Persian]
14. Mahdizadeh, Alireza. (2020). "Analysis of the Linguistic Functions of News Photographs." Scientific Journal of Media, Volume 32, Issue 1, Sequential Number 122, pp. 151-172. [In Persian] Doi.: 10.22034/bmsp.2021.132269
15. Noavab Akbar, Firooz. (2022). "The Sphinx and Its Symbolic Concepts in Ancient Iran." Scientific-Research Journal of Rahpuyeh Art, Volume 5, Issue 3, Autumn 2022, pp. 41-50. [In Persian]
16. Pouralefzal, Elham; Rabiei, Hadi; Dadashi, Iraj. (2023). "A Study of the Evolution of Decorative Functions in the Approach of Islamic Art Studies." Scientific Journal of the Graduate Group of Art Studies, 6(1), September, pp. 111-132. [In Persian] Doi: 10.22052/HSI.2023.253369.1138
17. Rouhfar, Zahra. (2001). Weaving in the Islamic Period. Tehran: Samt Publishing. [In Persian]
18. Sadeqi Nia, Sara; Pouzesh, Sara. (2016). "An Interpretative and Symbolic Study of the Peacock Motif in Iranian Art." Scientific-Presearch Journal of Dramatic Literature and Visual Arts, Volume 1, Issue 2, pp. 53-62. [In Persian]
19. TAheri, Sadr al-Din. (2012). "Gupta and Lion-Dog in the Middle East." Journal of Fine Arts, Visual Arts, Volume 117, Issue 4, Winter 2012, pp. 13-22. [In Persian] Doi: 10.22059/JFAVA.2013.30063
20. Talibpur, Farideh. (2000). Fabric and Weaving in Islamic Civilization. Tehran: Samt Publishing. [In Persian]
21. Zāreh Khalili, Maryam; Ahmadpanāh, S. Abutorāb; Kāmyār, Maryam. (2020). "A Study of Patterns and Inscriptions in the Textiles of the Al-Buyeh Dynasty (A Case Study of the Fabrics Discovered at the Tomb of Bibi Shahrbanu and the Naghareh of the City of Rey)." Journal of Decorative Arts of Kashan, Volume 3, Issue 2, Autumn and Winter 2020, pp. 95-108. [In Persian[ Doi: 10.22052/3.2.95

Add your comments about this article : Your username or Email:
CAPTCHA

Send email to the article author


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

© 2025 CC BY-NC 4.0 | Journal of Islamic Crafts

Designed & Developed by : Yektaweb