Semiotic analysis of the formation process of "discursive non-subject " in the paintings of Ahmad Morshedloo
The role of remembrance in the development of the spiritual identity of Islamic architecture with emphasis on the first to fifth centuries of Hijri
Examining the index components of Art Nouveau style with an emphasis on the combined works of metal and glass
Typeface "Amin al-Shar'": Distinguished Typeface Used in Books Printed with Movable Type in Tabriz (1243-1252 AH)
Investigating the Landscape Painting in Three Depictions of Layla and Majnun (Khamsa of Nizami) Based upon the Correspondence Principle of Macrocosm and Microcosm in Ibn Arabi's Philosophy