Journal of Islamic Crafts

	Expression of Syrian nationalism in Tawfiq Tariq's paintings / Mehdi Mohammadzadeh, Yaˈqūb Talebi

	Comparison of Guilan’s holy shrine painitngs and Under-glass painting (Zand and Qajar dynasty), based on Genette’s theory with an an emphasize on Equality / Monir Sehatgholfard, Hossein Abeddoost, Ziba Kazempoor

	Analytical study of the visual structure of Qajar royal jewelry in the national jewelry treasury of Iran / Farnoush Shamili, Tahereh Pourmohammad

	Study of the art of basket weaving in Kohgiluyeh and Boyer-Ahmad provinces with pathology / seyedeh soraya mortazavi karyak, Iman Zakariaei Kermani, seyed Baqer Momnian

	Feasibility study of the presence of traditional sewing in fourth-generation universities in Iran with a futures research approach / Zahra Hajighasemi, Mehran Houshiar, Shahin Ebrahim zade pezeshki

	Study of structural features and patterns of Kashan Rothschild carpet preserved in Doha Museum of Islamic Art / Elahe Panjehbashi, Shiva Alaee Yazdi

	Comparison of the visual structures in forty copies of the Shāhnāma's and Khamsah's illuminated double-page frontispiece (Safavid period: 16th and 17th centuries) / elham Akbari, maryam Keshmiri

	Visual analysis of Flowers and Bird Painting of Zand and Qajar periods / mumammad savari, Alireza Sheikhi

	Analysis of the Mina Khani Rug Preserved at the Brooklyn Museum using the Gestalt Theory of Visual Perception / Samaneh Kakavand

	Review and Analysis of Coomaraswamy's Artistic View about the Book of al-Jazari / Mohammad Khorasanizadeh

Year 2022
- Volume 6 - Issue 1 -Semi-Annual
Year 2021
Year 2020
- Volume 4 - Issue 1 -Semi-Annual
Year 2019
- Volume 3 - Issue 1 -Vol.3, No.1, Autumn-Winter
Year 2018
- Volume 2 - Issue 1 -Vol.2, No.1, Spring-Summer

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Comparison of the visual structures in forty copies of the Shāhnāma's and Khamsah's illuminated double-page frontispiece (Safavid period: 16th and 17th centuries)

Investigation of form and motif in Safavid and Ottoman`s shaffrons and their attribution

Analysis of the Mina Khani Rug Preserved at the Brooklyn Museum using the Gestalt Theory of Visual Perception

Typology of strange creatures in the version of the Aja'ib al-Makhluqat of Tusi.

Feasibility study of the presence of traditional sewing in fourth-generation universities in Iran with a futures research approach

An analysis of the beauty and semantic functions of Iranian sculptural locks. (Case example: Challeshtor lock)

Semiotics analysis of the rug motifs of Tabriz Safavid paradise garden

Methodology for Providing a Quantitative Index to Explain the Complexity of the Relationship between Human Figures and the Architecture in the Illustrations of Shāhnāmeh of Shāh Tahmāsebi

Analytical study of the visual structure of Qajar royal jewelry in the national jewelry treasury of Iran

Study of structural features and patterns of Kashan Rothschild carpet preserved in Doha Museum of Islamic Art

Principles of Transparency

Peer-review process
All submitted articles are evaluated at the submission to meet the structural and subject principles of JIC. The matched articles will go under a double-blinded peer-review process by at least 3 reviewers (experts in the field who are not part of the journal’s editorial staff) who are selected by the Editorial Board members according to their field specialties. The Editorial Board members have the final responsibility to select the articles.

Governing body
JIC is under the scientific control of the Editorial Board whose members are recognized experts in the subject areas included within the journal’s scope. Some executive roles of the Editorial Board members are delegated to the Editor-in-Chief who is well-known in the journal’s scope.

Editorial team
JIC is under the scientific supervision of the Editorial Team whose members are all experts with a high number of publications in their field.

Author fees/Access
There are No Fees or Charges at submission, reviewing, and publishing processes in JIC.
JIC follows the Bethesda Statement on Open Access Publishing.

Copyright
The content of JIC is published under the Creative Commons Attribution-NonCommercial 4.0 International Public License. To the extent this Public License may be interpreted as a contract, JIC is granted the Licensed Rights in consideration of your acceptance of these terms and conditions, and the Licensor grants You such rights in consideration of benefits the Licensor receives from making the Licensed Material available under these terms and conditions.
JIC allows the authors to hold the copyright without any restriction and the material is freely presented to the readers and can be used according to Creative Commons Attribution-NonCommercial 4.0 International Public License.

Process for identification of and dealing with allegations of research misconduct
Publisher and editors of JIC are reasonable to identify and prevent the publication of papers where research misconduct has occurred, including plagiarism, citation manipulation, and data falsification/fabrication, among others. In doing so, JIC follows COPE’s guidelines in dealing with allegations.

Ownership and management
JIC is owned and published by Tabriz Islamic Art University,Tabriz, Iran.

Conflicts of interests
All JIC Editorial Board members and the Editor-in-Chief submitted articles are gone under the same reviewing process as the other authors are gone. In the cases that a reviewer suspects an undisclosed conflict of interest in a submitted manuscript or a reader suspects an undisclosed conflict of interest in a published article JIC will follow COPE’s guidelines.

Revenue sources/Advertising/Direct marketing
JIC is financially supported completely by Tabriz Islamic Art University,Tabriz, Iran, and has no other sources for earning funds. JIC accepts No advertisements on the site or even as a report article.

Publishing schedule/Archiving
JIC has published 2 issues per year. All the content from the beginning to the end will be available forever on the JIC exclusive website. Also, JIC has the plan to enter the EBSCOhost and Scopus, and Clarivate Analytics databases.