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Keywords Index

All issues
:: هنر قاجاریه A Comparative Study of Modern and Original Iranian Art from the Perspective of Oleg Grabar and Jalil Ziapour [year 6, Number 2]
:: Abstract art. Analysis of the Shamseh motif by the Ibn Arabi's Thoughts and Mysticism theories [year 4, Number 1]
:: Academy of fine arts. Art in the service of the modernization discourse: a Case Study of Ottoman paintings from the late Empire to Republic [year 1, Number 1]
:: Akbar Shah Reasons of Formation of the Illustrated Manuscript during the era of Akbar Shah, Looking at the version of Dārāb-nama [year 7, Number 1]
:: Amin al-Sharʿ Tabrizi Typeface "Amin al-Shar'": Distinguished Typeface Used in Books Printed with Movable Type in Tabriz (1243-1252 AH) [year 8, Number 1]
:: Anatolia Recognition of Ottoman Carpets with Emphasis on the Influential Factors of Iranian Art on its Formation and Expansion [year 5, Number 1]
:: Architectural Arrays. Research in the Architectural decorations ( the Qajar house Haj Mirza Ebrahim Sadeghi In the city of Ardabil) [year 5, Number 2]
:: Art History. Review and Analysis of Coomaraswamy's Artistic View about the Book of al-Jazari [year 6, Number 1]
:: Bakhtin Rereading the Components of Iranian-Islamic Culture In Contemporary Indian Jewelry Based On The Triple Pattern Approach Of Bakhtin (Case Study: Jewelry from 2019-2020) [year 8, Number 2]
:: Brooklyn Museum Analysis of the Mina Khani Rug Preserved at the Brooklyn Museum using the Gestalt Theory of Visual Perception [year 6, Number 1]
:: Chahar Mahal and Bakhtiari General characteristics of geometric patterns and knotting designs in roof Qajar palace-fortress of Chaharmahal and Bakhtiari Province [year 4, Number 2]
:: Chester Beatty Quran Study of the halkari Technique in Book Decoration during the Safavid Period (Based on the 1558 Manuscript of the Chester Beatty Museum) [year 8, Number 2]
:: Color of Clothes The Analysis of Personal Between Communications with Costume Colors in Painting of Safavid Period [year 3, Number 1]
:: Color. Study of structural features and patterns of Kashan Rothschild carpet preserved in Doha Museum of Islamic Art [year 6, Number 1]
:: Composition. Studying of horse motifs in potteries oc Saljuk era [year 4, Number 2]
:: Content The study of the opposite meaning of "Alexander in front of Gog and Magog dam" in two versions of the dispersed and Topkapi Falnama [year 4, Number 1]
:: Critical Thinking" Codification of the theory of fraction deduction, extracted from the life of Ibrahim (AS) in the Qur'an and explanation of its use and place in Islamic art, with the approach of data theory [year 6, Number 1]
:: Cultural semiotics The Female gaze in proportion to pictorial elements in "A parrot with fruit and a portrait of a girl" [year 4, Number 2]
:: Divan Hafez AN ICONOGRAPHIC STUDY OF SULTAN MOHAMMAD NAQASH'S PAINTING CALLED "MASTI LAHOUTI AND NASUTI " [year 4, Number 2]
:: Eric Hirsch. Hermeneutic Reading of the Image and Text in Two Tiles of Ilkhanid Era based on Eric Hirsch's views [year 8, Number 1]
:: François Mazut Studying the Effects of European Painting on the Murals of the Historical Sokias House in Isfahan, Iran [year 8, Number 2]
:: Function Analysis of the Mediated Role of the Style: Exploration of the Buyid dynasty Style with Emphasis on Jakobson's Linguistic Communication Theory [year 8, Number 2]
:: Future Research Feasibility study of the presence of traditional sewing in fourth-generation universities in Iran with a futures research approach [year 6, Number 1]
:: Genette’s Transtextuality. Comparison of Guilan’s holy shrine painitngs and Under-glass painting (Zand and Qajar dynasty), based on Genette’s theory with an an emphasize on Equality [year 5, Number 2]
:: Georges Dumzil A Comparative Study of Sassanian and Early Islamic Iranian Textiles with Coptic Egypt (Akhmim region) with the Mythological Approach of Georges Dumzil [year 8, Number 2]
:: Gilan. Investigating Wall Paintings in the Qajar Period in Imamzades in Beyhpish, Gilan, Using Panovsky's Iconology Method [year 7, Number 2]
:: Glass Craftsman Pictures Pre-industrial glassware industry with a case study on ten selected paintings [year 4, Number 1]
:: Grounded Theory The Paradigm Model of Using Pottery Products in the Life Style of the People in Tabriz [year 4, Number 1]
:: Harpy Retrieval the root of the motif of the harpy in Iranian art from ancient to Seljuk period [year 7, Number 1]
:: Headpiece. A Review on the compositions in the lay‌out of the beginning and end pages of the manuscripts of Iran (Seljuk to the Safavid end) [year 4, Number 2]
:: Hegemony Identifying the components of exercising power in Safavid Persian Garden Paintings [year 7, Number 2]
:: Herat Analysis of Herat embroidery patterns from the perspective of fractal geometry [year 4, Number 2]
:: Hero Place of Prophet Jonah in the collection of Mahmoud Farshchian's works With Joseph Campbell's "Monomyth" theory approach [year 3, Number 1]
:: Hooshang Shah. Critical semiotic analysis of the Pictorial Carpet of Hooshang Shah Based on the Model of Edmund Burke Feldman [year 7, Number 2]
:: Howard Saul Becker Art production system in the Safavid period Case study (textile production) [year 7, Number 2]
:: Interior Decoration Islamic Iranian Architectural Capabilities in Textile Design with Emphasis on Interior Home Decoration [year 4, Number 1]
:: Iranian art A visual study of human figures in four selected paintings from seven Orang Jami paintingsBased on Gestalt principles [year 7, Number 2]
:: Iranian contemporary painting Semiotic analysis of the formation process of "discursive non-subject " in the paintings of Ahmad Morshedloo [year 8, Number 1]
:: Islamic architecture. Philosophical explanation of "stages and quality of act issuance" in Sadral-Muta'alihin Shirazi's philosophy with an emphasis on "process of creation of artwork in Islamic art and architecture" [year 2, Number 1]
:: Islamic art The Influence of Iranian-Islamic Culture on the Symbology Analysis of the Motifs of the Tabriz Safavid Paradise Gardenrug [year 8, Number 2]
:: Islamic era. The Study of the Wooden Zarihs during the Al-e-Buya to before the Safavid period in the Markazi Province [year 7, Number 1]
:: Jirdeh village A comprative study of handmade pottery in the villages of burjak [year 6, Number 2]
:: Kamal al-Din Behzad. Thematic analysis of the painting of Bahram Gur's with the dragon attributed to Kamal al-Din Behzad [year 7, Number 1]
:: Kamaleddin Behzad Mystical reading of the painting of Khovarnagh Palace ’s build by Kamaleddin Behzad [year 6, Number 2]
:: Kaykhosrow story Reading the story of Kaykhosrow's hatred, in the Lustre tile of Ilkhani [year 6, Number 2]
:: Kerman carpet. Studying the principle of rhythm in the aesthetics of Iranian carpets ,based on selected carpet from a museum in kerman. [year 6, Number 2]
:: Keywords Persian Painting - Aesthetics – Soltan Mohammad - Color- Sky Day and Night.  The Literary, Thematic, and Aesthetic Roots of the Color of the Day and Night Skies in the Paintings of Sultan Mohammad, The Painter [year 4, Number 2]
:: Lacquer Visual analysis of Flowers and Bird Painting of Zand and Qajar periods [year 6, Number 1]
:: Layla Comparative analysis of mythological role of Layla in poems of Nezami and Jami and its representation in Iranian painting [year 4, Number 2]
:: Marketing Strategic planning in the art of turquoise carving in Mashhad and its development strategies [year 5, Number 2]
:: Minaii introduction and classification of seljuq pottery [year 4, Number 2]
:: Mirza Abdolrazaq Studying the time, place and the artist assignment of polychrome tile work of decorated archway [year 3, Number 1]
:: Mirza Ali The visual analysis of Khosrow's portrait painted and shown to Shirin by Shapur with iconology [year 8, Number 1]
:: Modern Painting. Classification of the effects of Persian Painting on contemporary Iranian painting [year 8, Number 1]
:: Mohammad Youssef A Study at Technical Differences in the “Zahak Execution” paintings by Safavi Era painters with Mohammad Ghasem and Mohammad Yousef Case Study [year 6, Number 2]
:: Motifs on glass Analysis of glass enamel techniques and designs in the Qajar Museum in Tabriz [year 5, Number 1]
:: Mountain. An Investigation of the relevancy between Turco-Mongol Mythologies and the Motif of Tree in the Demotte Shahnameh and Jami al-Tavarikh from a Cultural Semiotic Point of View [year 4, Number 2]
:: Mythology A study of The Concepts Applied in the Painting of Makhtabkhane Layla and Majnun by Adopting Gilbert Durand`s Mythology Approach [year 6, Number 2]
:: Narration An Intertextual Reading on Relations of Pilgrimage Photography in Holy Mashhad with Ghahve-Khaneh Painting [year 2, Number 1]
:: Naser al-Din Shah A Comparative Study of the Technical and Visual Characteristics of Jewelry Making in the Jeqqes of the Fath-Ali Shah and Naser al-Din Shah Qajar periods, Available in the National Jewelry Treasury of Iran [year 8, Number 2]
:: National Museum of Kashan Examination of the Attribution of Time and Place of Production of the Table Tile Preserved in the National Museum of Kashan [year 8, Number 2]
:: Ottoman miniature The study of evolution of illustrations of ascension in Ottoman miniature, 15-17 A.D [year 2, Number 1]
:: Ottoman. A comparative study of the gilding art of the Safavid period and the Ottoman period (907 to 1148 AD. 1501 to 1736 AD) [year 8, Number 2]
:: Pathology A Study of the Applied Pathology of Sistan's Khame-douzi Art in the Present era [year 8, Number 2]
:: Pathology Study of the art of basket weaving in Kohgiluyeh and Boyer-Ahmad provinces with pathology [year 5, Number 2]
:: Pattern. Study and analysis of the design and pattern of contemporary carpets in Kermanshah [year 7, Number 2]
:: Pir Rudband tomb Iconology of Heaven and Hell in Religious Murals of Qajar Period (Case Study of Pir Rudband Dezful Tomb) [year 6, Number 1]
:: Poster Design Analysis of the reflection of traditional Islamic art in poster design with emphasis on posters of the thirty-fourth international competition of the Holy Quran [year 4, Number 1]
:: Production and supply Empowering women graduates of handicrafts in the management of design, production and supply of products [year 4, Number 1]
:: Qajar Period. Comparative Study. A Comparative Study of Mural Paintings in the Main Halls of Qavam-ol-Dowlah House in Tehran and Houses of Hariri in Tabriz.IRAN [year 2, Number 1]
:: Qajar glass Introducing and classifying the cutting motifs of the glass works in the Qajar Museum of Tabriz [year 7, Number 1]
:: Qajar period Analytical Study of the Qajar Qalamdans of the Hermitage Museum [year 7, Number 2]
:: Rakibkhaneh. Typology of the Visual Composition of Flowers and Birds in Safavid Palace Murals and Qajar Extensions [year 5, Number 2]
:: Religious Discourse. Reading the iconological of the ruling visual elements in the Ilkhanid coins from a perspective the discourse of religion [year 6, Number 2]
:: Roman Seljuks. A comparative study of the wooden works of the Seljuks of Iran and the Seljuks of Rome (a case study of the Jame Mosque of Abianeh and the Mosque of Ulu (Sivrihisar) in Anatolia) [year 7, Number 2]
:: Safavid doors. Investigating the Technical-Artistic Characteristics and the Themes of Wooden Doors of Safavid Period; A Case Study of Haftrang and Retiform Gereh Chini doors In Astan-E-Qods Razavi Musuem [year 2, Number 1]
:: Safavid motifs Tashir in the Illuminations of Khamsah Nizami Tahmaspi(OR 2265): A Comparative Typology [year 3, Number 1]
:: Safavid to the Qajar A Study of the Design and Technique of “Patterned Needlework” in Different applications from the Safavid to the Qajar Period (Emphasis on Applications in Women's Trousers Based on 4 Miniatures and 4 Figurative Paintings) [year 8, Number 2]
:: Shaffron’s Motifs and Forms. Investigation of form and motif in Safavid and Ottoman`s shaffrons and their attribution [year 6, Number 1]
:: Shaping Approach. A Comparative Study of Inscribed Fabrics of the Buyids and Fatimids of Egypt [year 7, Number 2]
:: Sheikh Safi al-Din Tomb. Analytical and Structural Analysis of the Jouk Shrine of the Tombstones of Sheykh Safi-al-Din Ardebili [year 3, Number 1]
:: Shia Typology of Architectural Arrays of Imamzadeh Seyed Jalaluddin Ashraf (AS) Astana Ashrafieh with Emphasis on Grid Analysis [year 5, Number 2]
:: Shāhnāma Comparison of the visual structures in forty copies of the Shāhnāma's and Khamsah's illuminated double-page frontispiece (Safavid period: 16th and 17th centuries) [year 6, Number 1]
:: Sohravardi's philosophy about light Analyzing the roots of form creation and decorations of Dragon candlestick from the Timurid period Based on Suhrawardi's philosophy of light [year 7, Number 2]
:: Style or Movement. Examining the index components of Art Nouveau style with an emphasis on the combined works of metal and glass. [year 8, Number 1]
:: Syrian painting - Tawfiq Tariq - Nationalism - Syrian Modern art Expression of Syrian nationalism in Tawfiq Tariq's paintings [year 5, Number 1]
:: Tabriz Miniature School A study of fictional criticism in a selection of Sultan Mohammad Naqash's works based on the theory of Gaston Bachelard [year 8, Number 2]
:: Tahmasp’s Shahnameh A comparative study of Jamshid’s kingdom and picture of him court in the Baysonqor’s Shahnameh and Tahmasp’s Shahnameh from the viewpoint of Erwin Panofsky Iconology [year 5, Number 1]
:: Taj al-Din Mohammad Haidar Shiraz The evolution of framing and space in the works of Tajuddin Mohammad Haidar Shirazi [year 5, Number 1]
:: Tass Reconstruction of the horizon of expectation of the applied works of art in the Islamic era (based on Persian literature) [year 3, Number 1]
:: Technology Study of Iranian canvas-Marouflaged Murals in Islamic peryod from the perspective of Technology and selection of European works [year 4, Number 1]
:: Textile's Motif A Study on Application of Textiles in Packaging Small-Sized Items in the Qajar Period Based on Written Documents and Qualitative Properties of the Designs and Motifs [year 6, Number 2]
:: Turkmen women. Comparative Study of Embroidery Patterns in the Clothing of Sangesar and Turkmen Women [year 8, Number 1]
:: Turning Time-based authenticity in handicrafts according to Dutton's theory of evolutionary aesthetics (Case study of woodturning) [year 5, Number 1]
:: Typology Typology of strange creatures in the version of the Aja'ib al-Makhluqat of Tusi. [year 5, Number 2]
:: Varqa and Gulshah Study and Analysis of the Illustrated Version Of Varqa and Gulshah Belonging to the Seljuk School of Painting [year 5, Number 1]
:: Visual Elements Study of six drawings of Esfandiar's battle with dragons from Ferdowsi Shahnameh from Shiraz and Tabriz schools [year 5, Number 1]
:: Visual Structure. Recognition and Analysis of Visual Features of the Horse Motif and Visual Factors Affecting Polo Game Illustration with Emphasis on Three Miniatures of Tahmasebi Shahnameh [year 6, Number 2]
:: Visual structure Comparative Study of Visual structure, “bringing the head of Iraj to Fereydoun "in the Safavi schools" [year 4, Number 2]
:: Wooden Inscriptions. The evolution of design and construction Wooden Grave Box 9th century AH Marashian of Mazandaran [year 4, Number 2]
:: Zafarnama by Sharaf al-Din Ali Yazdi genealogy, metal warefare tools, miniatures, Zafarnama by Sharaf al-Din Ali Yazdi, Timurid. [year 6, Number 1]
:: and Mystical Experience. The Concept of Beauty as Perceived by Rouzbahan Bagli Shirazi [year 6, Number 2]
:: architectural image Methodology for Providing a Quantitative Index to Explain the Complexity of the Relationship between Human Figures and the Architecture in the Illustrations of Shāhnāmeh of Shāh Tahmāsebi [year 6, Number 1]
:: blue and white Act of Tabriz Potters in Effects of China Clay in Safavi Era [year 1, Number 1]
:: carpet A Comparative Study of the Religious Components of Qajar and Pahlavi Carpets [year 5, Number 1]
:: clothing A comparative study of the clothing of lily and Majnun based on Manzume Nizami Ganjavi and related figures [year 5, Number 2]
:: color. Recognition and analysis of the formal and structural dimensions of the Mohajeran(Maroun) carpet [year 7, Number 1]
:: contemporary Semiotic of the fish with approach mystical in three examples of contemporary s pottery (case study MAND GONABAD) [year 3, Number 1]
:: contemporary period. Analyzing the technical and artistic features of qalamzani of Iran in contemporary Period [year 7, Number 1]
:: cultural diamond Researchable context of Iran's handicrafts from sociology of art perspective (Case study: carpet) [year 3, Number 1]
:: cultural industries Compilation of the Principles and Sub-components of World-class Handicraft manufacturing [year 8, Number 1]
:: death of artwork Commodification as a violence against art (case study: pictorial carpets) [year 5, Number 2]
:: decorations. The concept of upper and lower triangle symbol in architectural works, case study: the tomb of Sheikh Haidar in Meshkinshahr. [year 5, Number 2]
:: dervish rituals. Analytic study of the motifs and the possible origin of the appearance of Saroq skin rugs with symbolically approach [year 6, Number 2]
:: expression. A Comparison of the Semantic Perspective of Colors in the Holy Quran and allusion literature [year 4, Number 1]
:: geometric knots Analysis Geometric knots used in the tomb of Shah Ismail Safavid [year 5, Number 1]
:: intertextuality. Comparative Study of the Musical Painting "The Feast Faridun and Kundrau" in Tahmasebi Shahnameh with the Literary Text of Ferdowsi Shahnameh Based on the Theory of Intertextuality [year 7, Number 2]
:: khorasanid poetry style The study and recognition of artistic dyes in the Islamic period of Iran in writing and painting (Based on poetry of Khorasanid style poets) [year 3, Number 1]
:: miniature Recondensing the Concept of Power from Foucault's Perspective in Rashid al-Din Fazlullah Hamedani’s Jami al-Tawarikh [year 7, Number 1]
:: motif. A Study of the Motifs and Techniques of Needlework in Eight Prayer Rugs from the Qajar Period [year 3, Number 1]
:: mythological motifs. Investigating the Role of Mythological and Sacred Herbal Patterns in the Stucco Decorations of Seymareh Mosque [year 4, Number 1]
:: national jewelry treasures of Iran Analytical study of the visual structure of Qajar royal jewelry in the national jewelry treasury of Iran [year 5, Number 2]
:: nature of Azerbaijan. Innovation Representation of Azerbaijan nature in Sultan Mohammad Artworks [year 7, Number 1]
:: pattern Comparative study of Persian Ilkhanid and Egyptian Mamluk Textile design during 13-14 century [year 1, Number 1]
:: persian painters A Comparative Study of the Visual Elements in Five Miniatures of the Prophet’s Ascension [year 3, Number 1]
:: preparation and industrial-artistic tricks. An analysis of the beauty and semantic functions of Iranian sculptural locks. (Case example: Challeshtor lock) [year 5, Number 2]
:: probable future Examining the possible future in the commercialization of the researches of the Master's degree in carpets of Isfahan Art University [year 7, Number 1]
:: product. Cultural-based components in Iran handscaft packaging [year 2, Number 1]
:: religious teachings Reflection of Islamic mysticism in traditional arts [year 4, Number 1]
:: sign-semantics The Discourse Analysis of the testament Model in 2 Miniatures in Persian Challenges of Prophet Moses and the Witches From Safavid Falnama [year 3, Number 1]
:: social communications. The study of Identifying Functions of Mural Painting in an Iranian- Islamic city [year 1, Number 1]
:: space in Islamic architecture. The role of remembrance in the development of the spiritual identity of Islamic architecture with emphasis on the first to fifth centuries of Hijri [year 8, Number 1]
:: spirituality The Role and Position of Traditional Handicraft in “Cultural heritage” and “Cultural globalization” Domain [year 1, Number 1]
:: structure A Study of the Structural Compatibility of Two Works Attributed to Sheikh Mohammad by Haft Arang Jami, Freer Washington Gallery [year 6, Number 1]
:: subject A comparative study and analysis of "subject" in the works of Hossein Behzad and Mahmoud farshchian [year 1, Number 1]
:: symbol Studying the Structure and Motifs of Contemporary Coin Embroidery in Sistan and Baluchestan [year 8, Number 1]
:: technique of making and decorating rings. Techniques of making and decorating rings and earrings of the 9th-13th centuries in Iran in the Metropolitan Museum [year 7, Number 1]
:: the Meaning of the Mirror Analysis and Classification of the Role of the Mirror in Baluchi Needlework from the Cultural Beliefs Perspective [year 7, Number 1]
:: the artist Artistic creation based on Qur'an and transcendental wisdom [year 4, Number 1]
:: the evolution of carving. The style and context of Abadeh carving and its analysis in the mirror of anthropology [year 8, Number 1]
:: the principle of micro cosmos and macro cosmos Investigating the Landscape Painting in Three Depictions of Layla and Majnun (Khamsa of Nizami) Based upon the Correspondence Principle of Macrocosm and Microcosm in Ibn Arabi's Philosophy [year 8, Number 1]
:: underglaze. Typology of the Tileworks in Mozaffariyeh (Kaboud) Mosque of Tabriz in the Context of Studying the Design and Making Traditions [year 7, Number 2]
:: women’s uniforms Survey of women's views on the factors of wearing dark clothes and the effects of uniform color [year 5, Number 1]
:: ‘Ali-Qoli Khoiee A Comparative Study of Caps in Lithographic Images of Shāhnāmeh 1846 (Bombay) Shāhnāmeh 1849-1851 (Tehran) [year 5, Number 1]

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