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Authors Index

All issues
:: Mehdipour Moghaddam, Zahra Rereading the Components of Iranian-Islamic Culture In Contemporary Indian Jewelry Based On The Triple Pattern Approach Of Bakhtin (Case Study: Jewelry from 2019-2020) [year 8, Number 2]
:: Joyande, Saeide A Study of the Applied Pathology of Sistan's Khame-douzi Art in the Present era [year 8, Number 2]
:: Zakariaee Kermani, Iman A Study of the Applied Pathology of Sistan's Khame-douzi Art in the Present era [year 8, Number 2]
:: Farrokhfar, Farzaneh A Comparative Study of the Technical and Visual Characteristics of Jewelry Making in the Jeqqes of the Fath-Ali Shah and Naser al-Din Shah Qajar periods, Available in the National Jewelry Treasury of Iran [year 8, Number 2]
:: Yazdani Kachuie, Maryam A Comparative Study of the Technical and Visual Characteristics of Jewelry Making in the Jeqqes of the Fath-Ali Shah and Naser al-Din Shah Qajar periods, Available in the National Jewelry Treasury of Iran [year 8, Number 2]
:: Fetrati Basmenj, Sajad A study of fictional criticism in a selection of Sultan Mohammad Naqash's works based on the theory of Gaston Bachelard [year 8, Number 2]
:: Mirzaee, Karim A study of fictional criticism in a selection of Sultan Mohammad Naqash's works based on the theory of Gaston Bachelard [year 8, Number 2]
:: Danesh, Kazem Studying the Effects of European Painting on the Murals of the Historical Sokias House in Isfahan, Iran [year 8, Number 2]
:: Razani, Mehdi Studying the Effects of European Painting on the Murals of the Historical Sokias House in Isfahan, Iran [year 8, Number 2]
:: Pashamilani, Shahrzad The Influence of Iranian-Islamic Culture on the Symbology Analysis of the Motifs of the Tabriz Safavid Paradise Gardenrug [year 8, Number 2]
:: Motafakkerazad, Maryam The Influence of Iranian-Islamic Culture on the Symbology Analysis of the Motifs of the Tabriz Safavid Paradise Gardenrug [year 8, Number 2]
:: Abbasi Shokat Abad, Amir Hossein A Comparative Study of Sassanian and Early Islamic Iranian Textiles with Coptic Egypt (Akhmim region) with the Mythological Approach of Georges Dumzil [year 8, Number 2]
:: Ghazizadeh, Khashayar A Comparative Study of Sassanian and Early Islamic Iranian Textiles with Coptic Egypt (Akhmim region) with the Mythological Approach of Georges Dumzil [year 8, Number 2]
:: Sheikhi, Alireza A Comparative Study of Sassanian and Early Islamic Iranian Textiles with Coptic Egypt (Akhmim region) with the Mythological Approach of Georges Dumzil [year 8, Number 2]
:: Afrough, Mohammad Analysis of the Mediated Role of the Style: Exploration of the Buyid dynasty Style with Emphasis on Jakobson's Linguistic Communication Theory [year 8, Number 2]
:: Bahamighasr, Bita Analysis of the Mediated Role of the Style: Exploration of the Buyid dynasty Style with Emphasis on Jakobson's Linguistic Communication Theory [year 8, Number 2]
:: Arab-Beigi‎, Abolfazl Examination of the Attribution of Time and Place of Production of the Table Tile Preserved in the National Museum of Kashan [year 8, Number 2]
:: Mousavi Viaye, Encieh Sadat Examination of the Attribution of Time and Place of Production of the Table Tile Preserved in the National Museum of Kashan [year 8, Number 2]
:: Farahbod, Azar The style and context of Abadeh carving and its analysis in the mirror of anthropology [year 8, Number 1]
:: Sheikhi, Alireza The style and context of Abadeh carving and its analysis in the mirror of anthropology [year 8, Number 1]
:: Allahyari, Sahand The visual analysis of Khosrow's portrait painted and shown to Shirin by Shapur with iconology [year 8, Number 1]
:: Ghazinoory, Sepehr Compilation of the Principles and Sub-components of World-class Handicraft manufacturing [year 8, Number 1]
:: Keshavarz Afshar, Mahdi Compilation of the Principles and Sub-components of World-class Handicraft manufacturing [year 8, Number 1]
:: Rahmanpour, Nahid Compilation of the Principles and Sub-components of World-class Handicraft manufacturing [year 8, Number 1]
:: Khanpour, Arezoo Examining the index components of Art Nouveau style with an emphasis on the combined works of metal and glass. [year 8, Number 1]
:: Hosseini, Mahdieh Sadat Examining the index components of Art Nouveau style with an emphasis on the combined works of metal and glass. [year 8, Number 1]
:: Fadavi, Rahele Studying the Structure and Motifs of Contemporary Coin Embroidery in Sistan and Baluchestan [year 8, Number 1]
:: Amin Khandaqi, Javad Studying the Structure and Motifs of Contemporary Coin Embroidery in Sistan and Baluchestan [year 8, Number 1]
:: Noori, Marjan Studying the Structure and Motifs of Contemporary Coin Embroidery in Sistan and Baluchestan [year 8, Number 1]
:: Bolkhari, Hasan The role of remembrance in the development of the spiritual identity of Islamic architecture with emphasis on the first to fifth centuries of Hijri [year 8, Number 1]
:: Barati, Bahareh The role of remembrance in the development of the spiritual identity of Islamic architecture with emphasis on the first to fifth centuries of Hijri [year 8, Number 1]
:: Ziaee, Majid Semiotic analysis of the formation process of "discursive non-subject " in the paintings of Ahmad Morshedloo [year 8, Number 1]
:: Shairi, Hamidreza Semiotic analysis of the formation process of "discursive non-subject " in the paintings of Ahmad Morshedloo [year 8, Number 1]
:: Ghassemi, Vida Semiotic analysis of the formation process of "discursive non-subject " in the paintings of Ahmad Morshedloo [year 8, Number 1]
:: Rafiei, Milad Study of the halkari Technique in Book Decoration during the Safavid Period (Based on the 1558 Manuscript of the Chester Beatty Museum) [year 8, Number 2]
:: pourzolfgar, roya Study of the halkari Technique in Book Decoration during the Safavid Period (Based on the 1558 Manuscript of the Chester Beatty Museum) [year 8, Number 2]
:: Mohammadzadeh, Mehdi Study of the halkari Technique in Book Decoration during the Safavid Period (Based on the 1558 Manuscript of the Chester Beatty Museum) [year 8, Number 2]
:: moghadam, banafsheh A Study of the Design and Technique of “Patterned Needlework” in Different applications from the Safavid to the Qajar Period (Emphasis on Applications in Women's Trousers Based on 4 Miniatures and 4 Figurative Paintings) [year 8, Number 2]
:: Toosi, masoomeh A Study of the Design and Technique of “Patterned Needlework” in Different applications from the Safavid to the Qajar Period (Emphasis on Applications in Women's Trousers Based on 4 Miniatures and 4 Figurative Paintings) [year 8, Number 2]
:: shafaee, bahareh Semiotic of the fish with approach mystical in three examples of contemporary s pottery (case study MAND GONABAD) [year 3, Number 1]
:: kazempour, mehdi Semiotic of the fish with approach mystical in three examples of contemporary s pottery (case study MAND GONABAD) [year 3, Number 1]
:: Pourmokhtar, Sediqeh Hermeneutic Reading of the Image and Text in Two Tiles of Ilkhanid Era based on Eric Hirsch's views [year 8, Number 1]
:: Dadashi, Iraj Investigating the Landscape Painting in Three Depictions of Layla and Majnun (Khamsa of Nizami) Based upon the Correspondence Principle of Macrocosm and Microcosm in Ibn Arabi's Philosophy [year 8, Number 1]
:: Bani Ardalan, Esmail Investigating the Landscape Painting in Three Depictions of Layla and Majnun (Khamsa of Nizami) Based upon the Correspondence Principle of Macrocosm and Microcosm in Ibn Arabi's Philosophy [year 8, Number 1]
:: Barmaki, Fatemeh Investigating the Landscape Painting in Three Depictions of Layla and Majnun (Khamsa of Nizami) Based upon the Correspondence Principle of Macrocosm and Microcosm in Ibn Arabi's Philosophy [year 8, Number 1]
:: Babaei Fallah, Hadi Classification of the effects of Persian Painting on contemporary Iranian painting [year 8, Number 1]
:: Khosh Naghsh, Zahra Comparative Study of Embroidery Patterns in the Clothing of Sangesar and Turkmen Women [year 8, Number 1]
:: Satyarvand, Shokofahe Comparative Study of Embroidery Patterns in the Clothing of Sangesar and Turkmen Women [year 8, Number 1]
:: Tahery, Faeze Typeface "Amin al-Shar'": Distinguished Typeface Used in Books Printed with Movable Type in Tabriz (1243-1252 AH) [year 8, Number 1]
:: Boozari, Ali Typeface "Amin al-Shar'": Distinguished Typeface Used in Books Printed with Movable Type in Tabriz (1243-1252 AH) [year 8, Number 1]
:: Marasy, Mohsen A comparative study of the gilding art of the Safavid period and the Ottoman period (907 to 1148 AD. 1501 to 1736 AD) [year 8, Number 2]
:: Shafiee, Atefeh A comparative study of the gilding art of the Safavid period and the Ottoman period (907 to 1148 AD. 1501 to 1736 AD) [year 8, Number 2]
:: ghadiri, samaneh A visual study of human figures in four selected paintings from seven Orang Jami paintingsBased on Gestalt principles [year 7, Number 2]
:: dadkhah, pejman A visual study of human figures in four selected paintings from seven Orang Jami paintingsBased on Gestalt principles [year 7, Number 2]
:: sohrabi nasirabadi, mahin Pre-industrial glassware industry with a case study on ten selected paintings [year 4, Number 1]
:: khanpour, arezoo Pre-industrial glassware industry with a case study on ten selected paintings [year 4, Number 1]
:: Noorinejad, Somayeh Art production system in the Safavid period Case study (textile production) [year 7, Number 2]
:: Shahrad, Elaheh Critical semiotic analysis of the Pictorial Carpet of Hooshang Shah Based on the Model of Edmund Burke Feldman [year 7, Number 2]
:: Javanmard, Sara Critical semiotic analysis of the Pictorial Carpet of Hooshang Shah Based on the Model of Edmund Burke Feldman [year 7, Number 2]
:: Mousavi, Akhtarsadat Critical semiotic analysis of the Pictorial Carpet of Hooshang Shah Based on the Model of Edmund Burke Feldman [year 7, Number 2]
:: Hashemi, Gholamreza A Comparative Study of Inscribed Fabrics of the Buyids and Fatimids of Egypt [year 7, Number 2]
:: Aq Atabai, Rahimeh A Comparative Study of Inscribed Fabrics of the Buyids and Fatimids of Egypt [year 7, Number 2]
:: Zaker Jafari, Narges Comparative Study of the Musical Painting "The Feast Faridun and Kundrau" in Tahmasebi Shahnameh with the Literary Text of Ferdowsi Shahnameh Based on the Theory of Intertextuality [year 7, Number 2]
:: Ghasemi, Mojgan Comparative Study of the Musical Painting "The Feast Faridun and Kundrau" in Tahmasebi Shahnameh with the Literary Text of Ferdowsi Shahnameh Based on the Theory of Intertextuality [year 7, Number 2]
:: Ahmadi, Roja Study and analysis of the design and pattern of contemporary carpets in Kermanshah [year 7, Number 2]
:: VandShoari, Ali Study and analysis of the design and pattern of contemporary carpets in Kermanshah [year 7, Number 2]
:: Ghasemi, Mohammad Amin Study and analysis of the design and pattern of contemporary carpets in Kermanshah [year 7, Number 2]
:: Motmaen, Nava Typology of the Tileworks in Mozaffariyeh (Kaboud) Mosque of Tabriz in the Context of Studying the Design and Making Traditions [year 7, Number 2]
:: Nemati-Babaylou, Ali Typology of the Tileworks in Mozaffariyeh (Kaboud) Mosque of Tabriz in the Context of Studying the Design and Making Traditions [year 7, Number 2]
:: nikzad talemi, shahla Investigating Wall Paintings in the Qajar Period in Imamzades in Beyhpish, Gilan, Using Panovsky's Iconology Method [year 7, Number 2]
:: Pahlevan, Golamreza Analyzing the roots of form creation and decorations of Dragon candlestick from the Timurid period Based on Suhrawardi's philosophy of light [year 7, Number 2]
:: Teimouri, bahareh Analyzing the roots of form creation and decorations of Dragon candlestick from the Timurid period Based on Suhrawardi's philosophy of light [year 7, Number 2]
:: Amiri, Mahtab Analytical Study of the Qajar Qalamdans of the Hermitage Museum [year 7, Number 2]
:: nik nasab, zeinab Analytical Study of the Qajar Qalamdans of the Hermitage Museum [year 7, Number 2]
:: Paydarfard, Arezoo Analytical Study of the Qajar Qalamdans of the Hermitage Museum [year 7, Number 2]
:: Vandshoari, Ali Identifying the components of exercising power in Safavid Persian Garden Paintings [year 7, Number 2]
:: Abbaszadeh, Mohammad Identifying the components of exercising power in Safavid Persian Garden Paintings [year 7, Number 2]
:: Mohammadzadeh, Mehdi Identifying the components of exercising power in Safavid Persian Garden Paintings [year 7, Number 2]
:: nouri, soniya Identifying the components of exercising power in Safavid Persian Garden Paintings [year 7, Number 2]
:: madhoushian nejad, mohammad A comparative study of the wooden works of the Seljuks of Iran and the Seljuks of Rome (a case study of the Jame Mosque of Abianeh and the Mosque of Ulu (Sivrihisar) in Anatolia) [year 7, Number 2]
:: arbabi, bijan Examining the possible future in the commercialization of the researches of the Master's degree in carpets of Isfahan Art University [year 7, Number 1]
:: babajamali, farhad Examining the possible future in the commercialization of the researches of the Master's degree in carpets of Isfahan Art University [year 7, Number 1]
:: kargar, zahra Examining the possible future in the commercialization of the researches of the Master's degree in carpets of Isfahan Art University [year 7, Number 1]
:: zakariaee kermani, iman Examining the possible future in the commercialization of the researches of the Master's degree in carpets of Isfahan Art University [year 7, Number 1]
:: Behrad, Zahra Recondensing the Concept of Power from Foucault's Perspective in Rashid al-Din Fazlullah Hamedani’s Jami al-Tawarikh [year 7, Number 1]
:: Kazempour, Mehdi Recondensing the Concept of Power from Foucault's Perspective in Rashid al-Din Fazlullah Hamedani’s Jami al-Tawarikh [year 7, Number 1]
:: Afrough, Mohammad Recognition and analysis of the formal and structural dimensions of the Mohajeran(Maroun) carpet [year 7, Number 1]
:: Mafitabar, ameneh Analysis and Classification of the Role of the Mirror in Baluchi Needlework from the Cultural Beliefs Perspective [year 7, Number 1]
:: Mirzaei, Fateme Analysis and Classification of the Role of the Mirror in Baluchi Needlework from the Cultural Beliefs Perspective [year 7, Number 1]
:: Afshari, Morteza Retrieval the root of the motif of the harpy in Iranian art from ancient to Seljuk period [year 7, Number 1]
:: Ghazizadeh, Khashayar Retrieval the root of the motif of the harpy in Iranian art from ancient to Seljuk period [year 7, Number 1]
:: Motevalli, Mohammad Retrieval the root of the motif of the harpy in Iranian art from ancient to Seljuk period [year 7, Number 1]
:: farid, amir Representation of Azerbaijan nature in Sultan Mohammad Artworks [year 7, Number 1]
:: charkhi, rahim Representation of Azerbaijan nature in Sultan Mohammad Artworks [year 7, Number 1]
:: Barati, Bahare Techniques of making and decorating rings and earrings of the 9th-13th centuries in Iran in the Metropolitan Museum [year 7, Number 1]
:: Akbarzade Niaki, Zahra Techniques of making and decorating rings and earrings of the 9th-13th centuries in Iran in the Metropolitan Museum [year 7, Number 1]
:: sheikhi, Alireza Analyzing the technical and artistic features of qalamzani of Iran in contemporary Period [year 7, Number 1]
:: Fatemeh Khaneh Zarrin, Fatemeh Analyzing the technical and artistic features of qalamzani of Iran in contemporary Period [year 7, Number 1]
:: Saravani, Fahimeh Reasons of Formation of the Illustrated Manuscript during the era of Akbar Shah, Looking at the version of Dārāb-nama [year 7, Number 1]
:: Dadvar, Abbolghasem Reasons of Formation of the Illustrated Manuscript during the era of Akbar Shah, Looking at the version of Dārāb-nama [year 7, Number 1]
:: Hasanali poor, Hamid The Study of the Wooden Zarihs during the Al-e-Buya to before the Safavid period in the Markazi Province [year 7, Number 1]
:: Sharahi, Esmael The Study of the Wooden Zarihs during the Al-e-Buya to before the Safavid period in the Markazi Province [year 7, Number 1]
:: Sedighian, Hossein The Study of the Wooden Zarihs during the Al-e-Buya to before the Safavid period in the Markazi Province [year 7, Number 1]
:: Attarzadeh, Abdolkarim Introducing and classifying the cutting motifs of the glass works in the Qajar Museum of Tabriz [year 7, Number 1]
:: DolgariSharaf, MAHNAZ Introducing and classifying the cutting motifs of the glass works in the Qajar Museum of Tabriz [year 7, Number 1]
:: Ghazizadeh, Khashayar Thematic analysis of the painting of Bahram Gur's with the dragon attributed to Kamal al-Din Behzad [year 7, Number 1]
:: Allahyari, Sahand Thematic analysis of the painting of Bahram Gur's with the dragon attributed to Kamal al-Din Behzad [year 7, Number 1]
:: Afshari, Morteza Thematic analysis of the painting of Bahram Gur's with the dragon attributed to Kamal al-Din Behzad [year 7, Number 1]
:: Davazdahemami, Mahdi Investigation of form and motif in Safavid and Ottoman`s shaffrons and their attribution [year 6, Number 1]
:: Ghorbani, Shaabanali Investigation of form and motif in Safavid and Ottoman`s shaffrons and their attribution [year 6, Number 1]
:: Hashemi, Gholamreza Investigation of form and motif in Safavid and Ottoman`s shaffrons and their attribution [year 6, Number 1]
:: Ghafari, Sanaz Investigation of form and motif in Safavid and Ottoman`s shaffrons and their attribution [year 6, Number 1]
:: Salimpour, Roohollah A study of The Concepts Applied in the Painting of Makhtabkhane Layla and Majnun by Adopting Gilbert Durand`s Mythology Approach [year 6, Number 2]
:: motafakkerazad, maryam A study of The Concepts Applied in the Painting of Makhtabkhane Layla and Majnun by Adopting Gilbert Durand`s Mythology Approach [year 6, Number 2]
:: zolfaghari, najmeh Studying the principle of rhythm in the aesthetics of Iranian carpets ,based on selected carpet from a museum in kerman. [year 6, Number 2]
:: chitsazian, amirhosein Studying the principle of rhythm in the aesthetics of Iranian carpets ,based on selected carpet from a museum in kerman. [year 6, Number 2]
:: hashemi, Marzieh Analytic study of the motifs and the possible origin of the appearance of Saroq skin rugs with symbolically approach [year 6, Number 2]
:: hashemi, Gholamreza Analytic study of the motifs and the possible origin of the appearance of Saroq skin rugs with symbolically approach [year 6, Number 2]
:: Sadri, Mina Mystical reading of the painting of Khovarnagh Palace ’s build by Kamaleddin Behzad [year 6, Number 2]
:: Bolkhari Ghehi, Hassan Mystical reading of the painting of Khovarnagh Palace ’s build by Kamaleddin Behzad [year 6, Number 2]
:: Gholami Houjeghan, Fatemeh Mystical reading of the painting of Khovarnagh Palace ’s build by Kamaleddin Behzad [year 6, Number 2]
:: Bagheri Garmarudi, Amir Reading the iconological of the ruling visual elements in the Ilkhanid coins from a perspective the discourse of religion [year 6, Number 2]
:: Birouti, Shohreh Reading the iconological of the ruling visual elements in the Ilkhanid coins from a perspective the discourse of religion [year 6, Number 2]
:: Goodarzparvari, Parnaz Reading the iconological of the ruling visual elements in the Ilkhanid coins from a perspective the discourse of religion [year 6, Number 2]
:: mirshafiee, mohammad Reading the story of Kaykhosrow's hatred, in the Lustre tile of Ilkhani [year 6, Number 2]
:: rabiei, hadi The Concept of Beauty as Perceived by Rouzbahan Bagli Shirazi [year 6, Number 2]
:: afraz, samira The Concept of Beauty as Perceived by Rouzbahan Bagli Shirazi [year 6, Number 2]
:: baniardalan, esmaeil The Concept of Beauty as Perceived by Rouzbahan Bagli Shirazi [year 6, Number 2]
:: ashouri, taghi A Study at Technical Differences in the “Zahak Execution” paintings by Safavi Era painters with Mohammad Ghasem and Mohammad Yousef Case Study [year 6, Number 2]
:: moghimi, zohreh A Study at Technical Differences in the “Zahak Execution” paintings by Safavi Era painters with Mohammad Ghasem and Mohammad Yousef Case Study [year 6, Number 2]
:: taati, zohreh A comprative study of handmade pottery in the villages of burjak [year 6, Number 2]
:: MakineJad, Mehdi A Comparative Study of Modern and Original Iranian Art from the Perspective of Oleg Grabar and Jalil Ziapour [year 6, Number 2]
:: Rafiei rad, Reza A Comparative Study of Modern and Original Iranian Art from the Perspective of Oleg Grabar and Jalil Ziapour [year 6, Number 2]
:: Sharifzade, Seyyed Abdul Majid A Study on Application of Textiles in Packaging Small-Sized Items in the Qajar Period Based on Written Documents and Qualitative Properties of the Designs and Motifs [year 6, Number 2]
:: Mafitabar, Ameneh A Study on Application of Textiles in Packaging Small-Sized Items in the Qajar Period Based on Written Documents and Qualitative Properties of the Designs and Motifs [year 6, Number 2]
:: najibi, negar Recognition and Analysis of Visual Features of the Horse Motif and Visual Factors Affecting Polo Game Illustration with Emphasis on Three Miniatures of Tahmasebi Shahnameh [year 6, Number 2]
:: panjehbashi, elaheh Recognition and Analysis of Visual Features of the Horse Motif and Visual Factors Affecting Polo Game Illustration with Emphasis on Three Miniatures of Tahmasebi Shahnameh [year 6, Number 2]
:: Mehdypour Moghaddam, Zahra genealogy, metal warefare tools, miniatures, Zafarnama by Sharaf al-Din Ali Yazdi, Timurid. [year 6, Number 1]
:: Shokrpour, Shahryar genealogy, metal warefare tools, miniatures, Zafarnama by Sharaf al-Din Ali Yazdi, Timurid. [year 6, Number 1]
:: Norouzizadeh, marjan Iconology of Heaven and Hell in Religious Murals of Qajar Period (Case Study of Pir Rudband Dezful Tomb) [year 6, Number 1]
:: Emami Far, Nizamuddin Iconology of Heaven and Hell in Religious Murals of Qajar Period (Case Study of Pir Rudband Dezful Tomb) [year 6, Number 1]
:: Kakavand, Samaneh Analysis of the Mina Khani Rug Preserved at the Brooklyn Museum using the Gestalt Theory of Visual Perception [year 6, Number 1]
:: Ebrahim zade pezeshki, Shahin Feasibility study of the presence of traditional sewing in fourth-generation universities in Iran with a futures research approach [year 6, Number 1]
:: Houshiar, Mehran Feasibility study of the presence of traditional sewing in fourth-generation universities in Iran with a futures research approach [year 6, Number 1]
:: Hajighasemi, Zahra Feasibility study of the presence of traditional sewing in fourth-generation universities in Iran with a futures research approach [year 6, Number 1]
:: Keshmiri, maryam Comparison of the visual structures in forty copies of the Shāhnāma's and Khamsah's illuminated double-page frontispiece (Safavid period: 16th and 17th centuries) [year 6, Number 1]
:: Akbari, elham Comparison of the visual structures in forty copies of the Shāhnāma's and Khamsah's illuminated double-page frontispiece (Safavid period: 16th and 17th centuries) [year 6, Number 1]
:: ziaee, majid A Study of the Structural Compatibility of Two Works Attributed to Sheikh Mohammad by Haft Arang Jami, Freer Washington Gallery [year 6, Number 1]
:: azhari, fariba A Study of the Structural Compatibility of Two Works Attributed to Sheikh Mohammad by Haft Arang Jami, Freer Washington Gallery [year 6, Number 1]
:: Abdullahi Fard, Abolfazl A Study of the Structural Compatibility of Two Works Attributed to Sheikh Mohammad by Haft Arang Jami, Freer Washington Gallery [year 6, Number 1]
:: Mohamad zade, Mehdi Codification of the theory of fraction deduction, extracted from the life of Ibrahim (AS) in the Qur'an and explanation of its use and place in Islamic art, with the approach of data theory [year 6, Number 1]
:: Rafiei Rad, Reza Codification of the theory of fraction deduction, extracted from the life of Ibrahim (AS) in the Qur'an and explanation of its use and place in Islamic art, with the approach of data theory [year 6, Number 1]
:: Sheikhi, Alireza Visual analysis of Flowers and Bird Painting of Zand and Qajar periods [year 6, Number 1]
:: savari, mumammad Visual analysis of Flowers and Bird Painting of Zand and Qajar periods [year 6, Number 1]
:: Khorasanizadeh, Mohammad Review and Analysis of Coomaraswamy's Artistic View about the Book of al-Jazari [year 6, Number 1]
:: Alaee Yazdi, Shiva Study of structural features and patterns of Kashan Rothschild carpet preserved in Doha Museum of Islamic Art [year 6, Number 1]
:: Panjehbashi, Elahe Study of structural features and patterns of Kashan Rothschild carpet preserved in Doha Museum of Islamic Art [year 6, Number 1]
:: Mortazavi, Layla Methodology for Providing a Quantitative Index to Explain the Complexity of the Relationship between Human Figures and the Architecture in the Illustrations of Shāhnāmeh of Shāh Tahmāsebi [year 6, Number 1]
:: Boozari, Ali Methodology for Providing a Quantitative Index to Explain the Complexity of the Relationship between Human Figures and the Architecture in the Illustrations of Shāhnāmeh of Shāh Tahmāsebi [year 6, Number 1]
:: Abdullahi Fard, Abolfazl Analysis Geometric knots used in the tomb of Shah Ismail Safavid [year 5, Number 1]
:: moradian gojehbaglo, zeynab Analysis Geometric knots used in the tomb of Shah Ismail Safavid [year 5, Number 1]
:: Pourmohammad, Tahereh Analytical study of the visual structure of Qajar royal jewelry in the national jewelry treasury of Iran [year 5, Number 2]
:: Shamili, Farnoush Analytical study of the visual structure of Qajar royal jewelry in the national jewelry treasury of Iran [year 5, Number 2]
:: Kazempoor, Ziba Comparison of Guilan’s holy shrine painitngs and Under-glass painting (Zand and Qajar dynasty), based on Genette’s theory with an an emphasize on Equality [year 5, Number 2]
:: Abeddoost, Hossein Comparison of Guilan’s holy shrine painitngs and Under-glass painting (Zand and Qajar dynasty), based on Genette’s theory with an an emphasize on Equality [year 5, Number 2]
:: Sehatgholfard, Monir Comparison of Guilan’s holy shrine painitngs and Under-glass painting (Zand and Qajar dynasty), based on Genette’s theory with an an emphasize on Equality [year 5, Number 2]
:: Momnian, Baqer Study of the art of basket weaving in Kohgiluyeh and Boyer-Ahmad provinces with pathology [year 5, Number 2]
:: Zakariaei Kermani, Iman Study of the art of basket weaving in Kohgiluyeh and Boyer-Ahmad provinces with pathology [year 5, Number 2]
:: mortazavi karyak, soraya Study of the art of basket weaving in Kohgiluyeh and Boyer-Ahmad provinces with pathology [year 5, Number 2]
:: Rafiei Taqanki, Kobra An analysis of the beauty and semantic functions of Iranian sculptural locks. (Case example: Challeshtor lock) [year 5, Number 2]
:: ebrahiminaghani, hossein An analysis of the beauty and semantic functions of Iranian sculptural locks. (Case example: Challeshtor lock) [year 5, Number 2]
:: Sheikhi, Alireza Typology of the Visual Composition of Flowers and Birds in Safavid Palace Murals and Qajar Extensions [year 5, Number 2]
:: savari, mumammad Typology of the Visual Composition of Flowers and Birds in Safavid Palace Murals and Qajar Extensions [year 5, Number 2]
:: Youzbashi, Atieh Typology of Architectural Arrays of Imamzadeh Seyed Jalaluddin Ashraf (AS) Astana Ashrafieh with Emphasis on Grid Analysis [year 5, Number 2]
:: Nosratilialamania, Sepideh Typology of Architectural Arrays of Imamzadeh Seyed Jalaluddin Ashraf (AS) Astana Ashrafieh with Emphasis on Grid Analysis [year 5, Number 2]
:: sadri, mina Typology of strange creatures in the version of the Aja'ib al-Makhluqat of Tusi. [year 5, Number 2]
:: afshar, leila Typology of strange creatures in the version of the Aja'ib al-Makhluqat of Tusi. [year 5, Number 2]
:: Moradi Bajestani, Sakineh Strategic planning in the art of turquoise carving in Mashhad and its development strategies [year 5, Number 2]
:: zakariaee kermani, Iman Strategic planning in the art of turquoise carving in Mashhad and its development strategies [year 5, Number 2]
:: Gharbi, Serveh The concept of upper and lower triangle symbol in architectural works, case study: the tomb of Sheikh Haidar in Meshkinshahr. [year 5, Number 2]
:: Shafizadeh, Assadollah The concept of upper and lower triangle symbol in architectural works, case study: the tomb of Sheikh Haidar in Meshkinshahr. [year 5, Number 2]
:: sadeghi, mahdi A comparative study of the clothing of lily and Majnun based on Manzume Nizami Ganjavi and related figures [year 5, Number 2]
:: mojabi, S. Ali A comparative study of the clothing of lily and Majnun based on Manzume Nizami Ganjavi and related figures [year 5, Number 2]
:: chavoshi najafabadi, fatemeh A comparative study of the clothing of lily and Majnun based on Manzume Nizami Ganjavi and related figures [year 5, Number 2]
:: Keshavarz Afshar, Mehdi Commodification as a violence against art (case study: pictorial carpets) [year 5, Number 2]
:: Abbaszadeh, Mohammad Commodification as a violence against art (case study: pictorial carpets) [year 5, Number 2]
:: Shokrpour, Shahryar Commodification as a violence against art (case study: pictorial carpets) [year 5, Number 2]
:: Ahani, Laleh Commodification as a violence against art (case study: pictorial carpets) [year 5, Number 2]
:: yari, zara Research in the Architectural decorations ( the Qajar house Haj Mirza Ebrahim Sadeghi In the city of Ardabil) [year 5, Number 2]
:: salahi, maryam Research in the Architectural decorations ( the Qajar house Haj Mirza Ebrahim Sadeghi In the city of Ardabil) [year 5, Number 2]
:: kazempour, mehdi Research in the Architectural decorations ( the Qajar house Haj Mirza Ebrahim Sadeghi In the city of Ardabil) [year 5, Number 2]
:: Asadollahi, Allah shokr An Investigation of the relevancy between Turco-Mongol Mythologies and the Motif of Tree in the Demotte Shahnameh and Jami al-Tavarikh from a Cultural Semiotic Point of View [year 4, Number 2]
:: Mohammadzadeh, Mehdi An Investigation of the relevancy between Turco-Mongol Mythologies and the Motif of Tree in the Demotte Shahnameh and Jami al-Tavarikh from a Cultural Semiotic Point of View [year 4, Number 2]
:: Hoseinpour Mizab, Mansour An Investigation of the relevancy between Turco-Mongol Mythologies and the Motif of Tree in the Demotte Shahnameh and Jami al-Tavarikh from a Cultural Semiotic Point of View [year 4, Number 2]
:: Moghanipour, Majidreza Recognition of Ottoman Carpets with Emphasis on the Influential Factors of Iranian Art on its Formation and Expansion [year 5, Number 1]
:: Rahmani, Ashkan Recognition of Ottoman Carpets with Emphasis on the Influential Factors of Iranian Art on its Formation and Expansion [year 5, Number 1]
:: Najibi, Negar Studying of horse motifs in potteries oc Saljuk era [year 4, Number 2]
:: Panjehbashi, Elahe Studying of horse motifs in potteries oc Saljuk era [year 4, Number 2]
:: Moghaddam, Banafsheh Survey of women's views on the factors of wearing dark clothes and the effects of uniform color [year 5, Number 1]
:: Hajiani, Farideh Survey of women's views on the factors of wearing dark clothes and the effects of uniform color [year 5, Number 1]
:: Horri, Tina Survey of women's views on the factors of wearing dark clothes and the effects of uniform color [year 5, Number 1]
:: Nik nasab, Zeinab Study and Analysis of the Illustrated Version Of Varqa and Gulshah Belonging to the Seljuk School of Painting [year 5, Number 1]
:: Paydar fard, Arezoo Study and Analysis of the Illustrated Version Of Varqa and Gulshah Belonging to the Seljuk School of Painting [year 5, Number 1]
:: Ali abadi, maryam Study and Analysis of the Illustrated Version Of Varqa and Gulshah Belonging to the Seljuk School of Painting [year 5, Number 1]
:: Abbasi Shokat Abad, Amir Hossein A Comparative Study of the Religious Components of Qajar and Pahlavi Carpets [year 5, Number 1]
:: Talebi, Yaˈqūb Expression of Syrian nationalism in Tawfiq Tariq's paintings [year 5, Number 1]
:: Mohammadzadeh, Mehdi Expression of Syrian nationalism in Tawfiq Tariq's paintings [year 5, Number 1]
:: Abedi, Faezeh The evolution of framing and space in the works of Tajuddin Mohammad Haidar Shirazi [year 5, Number 1]
:: Rafiei, Milad The evolution of framing and space in the works of Tajuddin Mohammad Haidar Shirazi [year 5, Number 1]
:: Attarzadeh, Abdolkarim Analysis of glass enamel techniques and designs in the Qajar Museum in Tabriz [year 5, Number 1]
:: DolgariSharaf, MAHNAZ Analysis of glass enamel techniques and designs in the Qajar Museum in Tabriz [year 5, Number 1]
:: Kolahkaj, Mansour Time-based authenticity in handicrafts according to Dutton's theory of evolutionary aesthetics (Case study of woodturning) [year 5, Number 1]
:: Derakhshani, Mojdeh Time-based authenticity in handicrafts according to Dutton's theory of evolutionary aesthetics (Case study of woodturning) [year 5, Number 1]
:: Saharvand, Parvaneh A Comparative Study of Caps in Lithographic Images of Shāhnāmeh 1846 (Bombay) Shāhnāmeh 1849-1851 (Tehran) [year 5, Number 1]
:: Boozari, Ali A Comparative Study of Caps in Lithographic Images of Shāhnāmeh 1846 (Bombay) Shāhnāmeh 1849-1851 (Tehran) [year 5, Number 1]
:: sadri, mina Study of six drawings of Esfandiar's battle with dragons from Ferdowsi Shahnameh from Shiraz and Tabriz schools [year 5, Number 1]
:: garoosi, atefe Study of six drawings of Esfandiar's battle with dragons from Ferdowsi Shahnameh from Shiraz and Tabriz schools [year 5, Number 1]
:: Keshtgare ghasemi, Reyhaneh A comparative study of Jamshid’s kingdom and picture of him court in the Baysonqor’s Shahnameh and Tahmasp’s Shahnameh from the viewpoint of Erwin Panofsky Iconology [year 5, Number 1]
:: Chareie, Abdolreza A comparative study of Jamshid’s kingdom and picture of him court in the Baysonqor’s Shahnameh and Tahmasp’s Shahnameh from the viewpoint of Erwin Panofsky Iconology [year 5, Number 1]
:: Zekavat, Sahar A comparative study of Jamshid’s kingdom and picture of him court in the Baysonqor’s Shahnameh and Tahmasp’s Shahnameh from the viewpoint of Erwin Panofsky Iconology [year 5, Number 1]
:: Rahmati, Hadi A Review on the compositions in the lay‌out of the beginning and end pages of the manuscripts of Iran (Seljuk to the Safavid end) [year 4, Number 2]
:: Safarikarahroudi, Hanieh A Review on the compositions in the lay‌out of the beginning and end pages of the manuscripts of Iran (Seljuk to the Safavid end) [year 4, Number 2]
:: Mesbah, Bita A Review on the compositions in the lay‌out of the beginning and end pages of the manuscripts of Iran (Seljuk to the Safavid end) [year 4, Number 2]
:: maziar, amir introduction and classification of seljuq pottery [year 4, Number 2]
:: tondi, ahmad introduction and classification of seljuq pottery [year 4, Number 2]
:: mohammadi, mahdi introduction and classification of seljuq pottery [year 4, Number 2]
:: mojabi, ali Comparative Study of Visual structure, “bringing the head of Iraj to Fereydoun "in the Safavi schools" [year 4, Number 2]
:: vahed dehkordi, farzaneh Comparative Study of Visual structure, “bringing the head of Iraj to Fereydoun "in the Safavi schools" [year 4, Number 2]
:: Taheri Qomi, Mohammad AN ICONOGRAPHIC STUDY OF SULTAN MOHAMMAD NAQASH'S PAINTING CALLED "MASTI LAHOUTI AND NASUTI " [year 4, Number 2]
:: Nasri, Amir The Female gaze in proportion to pictorial elements in "A parrot with fruit and a portrait of a girl" [year 4, Number 2]
:: Eftekhari Yekta, sharareh The Female gaze in proportion to pictorial elements in "A parrot with fruit and a portrait of a girl" [year 4, Number 2]
:: asghari, maezieh General characteristics of geometric patterns and knotting designs in roof Qajar palace-fortress of Chaharmahal and Bakhtiari Province [year 4, Number 2]
:: ebrahiminaghani, hossein General characteristics of geometric patterns and knotting designs in roof Qajar palace-fortress of Chaharmahal and Bakhtiari Province [year 4, Number 2]
:: neyestani, javad The evolution of design and construction Wooden Grave Box 9th century AH Marashian of Mazandaran [year 4, Number 2]
:: afhami, reza The evolution of design and construction Wooden Grave Box 9th century AH Marashian of Mazandaran [year 4, Number 2]
:: shokrpor, shahriyar The evolution of design and construction Wooden Grave Box 9th century AH Marashian of Mazandaran [year 4, Number 2]
:: madhoushian, mohamad The evolution of design and construction Wooden Grave Box 9th century AH Marashian of Mazandaran [year 4, Number 2]
:: sheikhi, Alireza Comparative analysis of mythological role of Layla in poems of Nezami and Jami and its representation in Iranian painting [year 4, Number 2]
:: rezaeii, sareh Comparative analysis of mythological role of Layla in poems of Nezami and Jami and its representation in Iranian painting [year 4, Number 2]
:: Bolkhari, hasan The Literary, Thematic, and Aesthetic Roots of the Color of the Day and Night Skies in the Paintings of Sultan Mohammad, The Painter [year 4, Number 2]
:: Babaei, Hadi The Literary, Thematic, and Aesthetic Roots of the Color of the Day and Night Skies in the Paintings of Sultan Mohammad, The Painter [year 4, Number 2]
:: Hessami, Mansour Analysis of Herat embroidery patterns from the perspective of fractal geometry [year 4, Number 2]
:: Ibrahimi, azita Analysis of Herat embroidery patterns from the perspective of fractal geometry [year 4, Number 2]
:: Shakarami, Tayyebeh Investigating the Role of Mythological and Sacred Herbal Patterns in the Stucco Decorations of Seymareh Mosque [year 4, Number 1]
:: Heidari Baba Kamal, Yadollah Investigating the Role of Mythological and Sacred Herbal Patterns in the Stucco Decorations of Seymareh Mosque [year 4, Number 1]
:: Sharifinia, Akbar Investigating the Role of Mythological and Sacred Herbal Patterns in the Stucco Decorations of Seymareh Mosque [year 4, Number 1]
:: rahmanpour, Nahid Empowering women graduates of handicrafts in the management of design, production and supply of products [year 4, Number 1]
:: noghrehkar, abdolhamid Artistic creation based on Qur'an and transcendental wisdom [year 4, Number 1]
:: Kaboudi, Mahdi Artistic creation based on Qur'an and transcendental wisdom [year 4, Number 1]
:: Khazaie, Mohamad A Comparison of the Semantic Perspective of Colors in the Holy Quran and allusion literature [year 4, Number 1]
:: Rafiei Rad, Reza A Comparison of the Semantic Perspective of Colors in the Holy Quran and allusion literature [year 4, Number 1]
:: Karimi, Maryam Islamic Iranian Architectural Capabilities in Textile Design with Emphasis on Interior Home Decoration [year 4, Number 1]
:: Baseri, Somayeh Islamic Iranian Architectural Capabilities in Textile Design with Emphasis on Interior Home Decoration [year 4, Number 1]
:: Hamzavi, Yaser Study of Iranian canvas-Marouflaged Murals in Islamic peryod from the perspective of Technology and selection of European works [year 4, Number 1]
:: rezaei, faezeh The study of the opposite meaning of "Alexander in front of Gog and Magog dam" in two versions of the dispersed and Topkapi Falnama [year 4, Number 1]
:: Sheikhi, Alireza The study of the opposite meaning of "Alexander in front of Gog and Magog dam" in two versions of the dispersed and Topkapi Falnama [year 4, Number 1]
:: Ghazizadeh, Khashayar Analysis of the reflection of traditional Islamic art in poster design with emphasis on posters of the thirty-fourth international competition of the Holy Quran [year 4, Number 1]
:: Malaki Gisavandani, Sareh Analysis of the reflection of traditional Islamic art in poster design with emphasis on posters of the thirty-fourth international competition of the Holy Quran [year 4, Number 1]
:: shamili, farnosh The Paradigm Model of Using Pottery Products in the Life Style of the People in Tabriz [year 4, Number 1]
:: abas zade, mohamad The Paradigm Model of Using Pottery Products in the Life Style of the People in Tabriz [year 4, Number 1]
:: fazel, atefe The Paradigm Model of Using Pottery Products in the Life Style of the People in Tabriz [year 4, Number 1]
:: pirbabaia, Mohamad taghi The Paradigm Model of Using Pottery Products in the Life Style of the People in Tabriz [year 4, Number 1]
:: amraei, mehdi Reflection of Islamic mysticism in traditional arts [year 4, Number 1]
:: edraki, marjan Analysis of the Shamseh motif by the Ibn Arabi's Thoughts and Mysticism theories [year 4, Number 1]
:: shad ghazvini, parisa Analysis of the Shamseh motif by the Ibn Arabi's Thoughts and Mysticism theories [year 4, Number 1]
:: Hessami, Mansour Reconstruction of the horizon of expectation of the applied works of art in the Islamic era (based on Persian literature) [year 3, Number 1]
:: Hosein Qazvini, Naghmeh Reconstruction of the horizon of expectation of the applied works of art in the Islamic era (based on Persian literature) [year 3, Number 1]
:: khorasani, Mahboubeh The study and recognition of artistic dyes in the Islamic period of Iran in writing and painting (Based on poetry of Khorasanid style poets) [year 3, Number 1]
:: Hamzavi, Yaser The study and recognition of artistic dyes in the Islamic period of Iran in writing and painting (Based on poetry of Khorasanid style poets) [year 3, Number 1]
:: Radmanesh, Ata Mohammad The study and recognition of artistic dyes in the Islamic period of Iran in writing and painting (Based on poetry of Khorasanid style poets) [year 3, Number 1]
:: salahshour, Fatemeh The study and recognition of artistic dyes in the Islamic period of Iran in writing and painting (Based on poetry of Khorasanid style poets) [year 3, Number 1]
:: amani, maryam The Analysis of Personal Between Communications with Costume Colors in Painting of Safavid Period [year 3, Number 1]
:: Hasankhanighavam, Fereydoon The Analysis of Personal Between Communications with Costume Colors in Painting of Safavid Period [year 3, Number 1]
:: mohebbi, behzad The Analysis of Personal Between Communications with Costume Colors in Painting of Safavid Period [year 3, Number 1]
:: moradiyangojehebaglo, zeynab Analytical and Structural Analysis of the Jouk Shrine of the Tombstones of Sheykh Safi-al-Din Ardebili [year 3, Number 1]
:: shikhbaglo, omid Analytical and Structural Analysis of the Jouk Shrine of the Tombstones of Sheykh Safi-al-Din Ardebili [year 3, Number 1]
:: javadiazar, vali Analytical and Structural Analysis of the Jouk Shrine of the Tombstones of Sheykh Safi-al-Din Ardebili [year 3, Number 1]
:: Shokrpour, Shahryar Analytical and Structural Analysis of the Jouk Shrine of the Tombstones of Sheykh Safi-al-Din Ardebili [year 3, Number 1]
:: toosi, masoomeh A Study of the Motifs and Techniques of Needlework in Eight Prayer Rugs from the Qajar Period [year 3, Number 1]
:: arabbeigi, abolfazl Studying the time, place and the artist assignment of polychrome tile work of decorated archway [year 3, Number 1]
:: ghasemi, zahra Studying the time, place and the artist assignment of polychrome tile work of decorated archway [year 3, Number 1]
:: Rezaeinabard, Amir Place of Prophet Jonah in the collection of Mahmoud Farshchian's works With Joseph Campbell's "Monomyth" theory approach [year 3, Number 1]
:: mirzaei, abdollah Researchable context of Iran's handicrafts from sociology of art perspective (Case study: carpet) [year 3, Number 1]
:: azam kasiri, atoosa A Comparative Study of the Visual Elements in Five Miniatures of the Prophet’s Ascension [year 3, Number 1]
:: Rezaeinabard, Amir A comparative study and analysis of "subject" in the works of Hossein Behzad and Mahmoud farshchian [year 1, Number 1]
:: Sharifzade, Mohammadreza Cultural-based components in Iran handscaft packaging [year 2, Number 1]
:: Karimipour, zahra Cultural-based components in Iran handscaft packaging [year 2, Number 1]
:: Saeedi, Fereshteh Investigating the Technical-Artistic Characteristics and the Themes of Wooden Doors of Safavid Period; A Case Study of Haftrang and Retiform Gereh Chini doors In Astan-E-Qods Razavi Musuem [year 2, Number 1]
:: Abdollahi Fard, Abolfazle Investigating the Technical-Artistic Characteristics and the Themes of Wooden Doors of Safavid Period; A Case Study of Haftrang and Retiform Gereh Chini doors In Astan-E-Qods Razavi Musuem [year 2, Number 1]
:: Nejad Ebrahimi, Ahad Investigating the Technical-Artistic Characteristics and the Themes of Wooden Doors of Safavid Period; A Case Study of Haftrang and Retiform Gereh Chini doors In Astan-E-Qods Razavi Musuem [year 2, Number 1]
:: Charkhi, Rahim The study of evolution of illustrations of ascension in Ottoman miniature, 15-17 A.D [year 2, Number 1]
:: Abolhasan Moghaddami, Sevda The study of evolution of illustrations of ascension in Ottoman miniature, 15-17 A.D [year 2, Number 1]
:: Mohammadzadeh, Mehdi The study of evolution of illustrations of ascension in Ottoman miniature, 15-17 A.D [year 2, Number 1]
:: Razani, Mehdi A Comparative Study of Mural Paintings in the Main Halls of Qavam-ol-Dowlah House in Tehran and Houses of Hariri in Tabriz.IRAN [year 2, Number 1]
:: Haddadian, Mohammad Ali A Comparative Study of Mural Paintings in the Main Halls of Qavam-ol-Dowlah House in Tehran and Houses of Hariri in Tabriz.IRAN [year 2, Number 1]
:: madhoushian nejad, mohammad A Comparative Study of Mural Paintings in the Main Halls of Qavam-ol-Dowlah House in Tehran and Houses of Hariri in Tabriz.IRAN [year 2, Number 1]
:: Afhami, Reza An Intertextual Reading on Relations of Pilgrimage Photography in Holy Mashhad with Ghahve-Khaneh Painting [year 2, Number 1]
:: Akhoundi, Zahra An Intertextual Reading on Relations of Pilgrimage Photography in Holy Mashhad with Ghahve-Khaneh Painting [year 2, Number 1]
:: Shafizadeh, Asadollah Philosophical explanation of "stages and quality of act issuance" in Sadral-Muta'alihin Shirazi's philosophy with an emphasis on "process of creation of artwork in Islamic art and architecture" [year 2, Number 1]

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