Journal of Islamic Crafts

	Examining the Structural Patterns and Motifs in the Carpets of Southwestern Afghanistan / Hamid Abdollahi, Sepehr Qasemi, Ashkan Rahmani

	Explanation of Visual Characteristics, Climate and Native Beliefs in Golpayegan Carving / Alireza Sheikhi, Azar Farahbod

	Typological and Comparative Chronological Study of Architectural Ornaments of the Jameh Mosque of Haftshoyeh, Isfahan / Mehdi Razani, Yadolah Haydaey Babakamal

	Typology of the Forms and Motifs of Iranian Metal Pencases from the Beginning of the 4th to the Late 7th Century AH / Mohadeseh Eslami Aliabadi, Farhad Khosravi Bizhaem

	Production Centers of Wooden Coffins for Iranian Tombs During the Safavid Period / Zeinab Zangeneh Inaloo, Hayedeh Khamseh, Maryam Kolbadinejad

	Typography as Image: Analysis of Discursive Oppositions in the Uljaytu's Coins with Emphasis on Greimas' Semiotics Method / Ali Javaher, Nezamudin Emamifar, Hamidreza Shairi

	Baba Heydar, a prominent center in the Chaharmahal and Bakhtiari carpet weaving school / Mohammad Afrough

	Explaining the cultural identity of the Bafgh people based on the activism of woven mats / Samaneh Kakavand

	The Model of Sustainable Design Development for Baloch embroidery Based on Design Thinking / Mina Shirani, Mohammad Kazem Hasanvand, Mehdi Kashavarz Afshar

	The Impact of “Re-presenting as New” on the Revaluation of Traditional Baluchi Women’s Clothing: A Study in Cultural Marketing / Zahra Khazaie, Maryam Mounesi Sorkheh

Year 2026
- Articles In Press
Year 2025
- Volume 9 - Issue 2 -Semi-Annual
- Volume 9 - Issue 1 -Semi-Annual
Year 2024
- Volume 8 - Issue 2 -Semi-Annual
- Volume 8 - Issue 1 -Semi-Annual
Year 2023
- Volume 7 - Issue 2 -Semi-Annual
- Volume 7 - Issue 1 -Semi-Annual
Year 2022
- Volume 6 - Issue 2 -Semi-Annual
- Volume 6 - Issue 1 -Semi-Annual
Year 2021

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Typological and Comparative Chronological Study of Architectural Ornaments of the Jameh Mosque of Haftshoyeh, Isfahan

The Model of Sustainable Design Development for Baloch embroidery Based on Design Thinking

Typography as Image: Analysis of Discursive Oppositions in the Uljaytu's Coins with Emphasis on Greimas' Semiotics Method

Technical and Aesthetic Analysis of the Carpets from Dar al-Masakin of Rasht (1926–1927 CE)

Formal Reading and Semiotic Analysis of the Aperture in Traditional Houses of Kazeroun

The Impact of “Re-presenting as New” on the Revaluation of Traditional Baluchi Women’s Clothing: A Study in Cultural Marketing

Baba Heydar, a prominent center in the Chaharmahal and Bakhtiari carpet weaving school

The Influence of Iranian Textile Art of the Qajar Era on the Textiles of the Art Nouveau Movement: A Comparative Approach

Examining the Structural Patterns and Motifs in the Carpets of Southwestern Afghanistan

The Birth of Gallery in Iran: The Dual Function of Sani’-ol-Molk’s Naqqāsh-khāneh as a Nascent Institution

Principles of Transparency

Peer-review process
All submitted articles are evaluated at the submission to meet the structural and subject principles of JIC. The matched articles will go under a double-blinded peer-review process by at least 3 reviewers (experts in the field who are not part of the journal’s editorial staff) who are selected by the Editorial Board members according to their field specialties. The Editorial Board members have the final responsibility to select the articles.

Governing body
JIC is under the scientific control of the Editorial Board whose members are recognized experts in the subject areas included within the journal’s scope. Some executive roles of the Editorial Board members are delegated to the Editor-in-Chief who is well-known in the journal’s scope.

Editorial team
JIC is under the scientific supervision of the Editorial Team whose members are all experts with a high number of publications in their field.

Author fees/Access
There are No Fees or Charges at submission, reviewing, and publishing processes in JIC.
JIC follows the Bethesda Statement on Open Access Publishing.

Copyright
The content of JIC is published under the Creative Commons Attribution-NonCommercial 4.0 International Public License. To the extent this Public License may be interpreted as a contract, JIC is granted the Licensed Rights in consideration of your acceptance of these terms and conditions, and the Licensor grants You such rights in consideration of benefits the Licensor receives from making the Licensed Material available under these terms and conditions.
JIC allows the authors to hold the copyright without any restriction and the material is freely presented to the readers and can be used according to Creative Commons Attribution-NonCommercial 4.0 International Public License.

Process for identification of and dealing with allegations of research misconduct
Publisher and editors of JIC are reasonable to identify and prevent the publication of papers where research misconduct has occurred, including plagiarism, citation manipulation, and data falsification/fabrication, among others. In doing so, JIC follows COPE’s guidelines in dealing with allegations.

Ownership and management
JIC is owned and published by Tabriz Islamic Art University,Tabriz, Iran.

Conflicts of interests
All JIC Editorial Board members and the Editor-in-Chief submitted articles are gone under the same reviewing process as the other authors are gone. In the cases that a reviewer suspects an undisclosed conflict of interest in a submitted manuscript or a reader suspects an undisclosed conflict of interest in a published article JIC will follow COPE’s guidelines.

Revenue sources/Advertising/Direct marketing
JIC is financially supported completely by Tabriz Islamic Art University,Tabriz, Iran, and has no other sources for earning funds. JIC accepts No advertisements on the site or even as a report article.

Publishing schedule/Archiving
JIC has published 2 issues per year. All the content from the beginning to the end will be available forever on the JIC exclusive website. Also, JIC has the plan to enter the EBSCOhost and Scopus, and Clarivate Analytics databases.